Monthly Archives: February 2015

India’s First-ever Mutual Fund Was Shyam Kothari’s Brainchild

Chennai :

Head of the $100 million Kothari Group and brother-in-law of business tycoons Mukesh and Anil Ambani, Bhadrashyam Kothari, breathed his last in the US on Monday. He was 54, and was undergoing treatment for what sources say was cancer.

B Kothari (1961-2015)
B Kothari (1961-2015)

Son of the late industrialist HC Kothari, a stalwart among Chennai industrialists, Shyam Kothari headed the Kothari Group, an umbrella group that held under it such diversified interests like sugar, petrochemicals, fertilizers, chemicals and textiles to name a few.

Several condolences for the third generation entrepreneur were doing rounds on social media from Monday evening, the most prominent being a tweet from A R Rahman which read: “May God bless your soul dear friend Shyam Kothari. You were a gem of a friend who will always be remembered – love ARR and family.

A graduate of Chennai’s Loyola College, Shyam Kothari took over the reins of the company after his father passed away in the mid-nineties. Over the years, he expanded the group considerably, focusing especially on sugar, textiles and financial services.

In fact, Shyam Kothari is credited with setting up what was India’s first ever Mutual Fund – ‘Kothari Pioneer Mutual Fund’ through a partnership with the American Pioneer Group.

Shyam Kothari was also part of a big legal battle over the control of the Kothari Industrial Corporation, owned by his father’s brother DC Kothari. Allegations of Shyam Kothari using his connections with the Reliance Group to take over the sister group ran rampant after DC Kothari passed away, until it culminated in a legal battle in 1993 with Pradip Kothari, son of DC Kothari. The cousins later patched up their differences, but not before taking the case through both the High Court and the Company Law Board.

The Kothari family also has close connections with some of India’s largest business families. Besides being married to Reliance group patriarch, Dhirubhai Ambani’s daughter Nina Ambani, his daughter  Nayantara Kothari is also married to Shamit Bhartia, son of Shobana Bhartia, chairman and Editorial Director of the Hindustan Times Group.

Shyam Kothari’s grandfather, CM Kothari, is also considered a legend among the Chennai entrepreneurial community, having founded Madras Stock Exchange – which incidentally closed shutters last year. He also ran the Madras Safe Deposits Company. The Kothari Group currently has control of Kothari Sugars and Chemicals, Kothari Safe Deposits, Kothari Biotech, and Kothari Pioneer Mutual fund including others, with a gross worth of over $100 million and 800 plus employees.

source: http://www.newindianexpress.com / The New Indian Express / Home> Cities> Chennai / by Express News Service / February 24th, 2015

Philatelic exhibition

The Department of Posts will host a philatelic exhibition, Rocpex 2015, at the Bishop Heber Higher Secondary School at Teppakulam in the city on January 30 and 31.

The exhibition will feature special covers released by Department of Posts, commemorative stamps, miniature sheets, first day covers, post cards, rare collection of stamps and stamps of foreign countries collected by more than 50 philatelists.

Special covers

Special covers on Rajan Bungalow, Gandhi Market and Saraswathi Bala Mandir School would be released during the event. A quiz competition for school students would be held on January 30 and a painting competition January on 31, according to a press release.

source: http://www.thehindu.com / The Hindu / Home> News> Cities> Tiruchirapalli / by Special Correspondent / Tiruchi – January 29th, 2015

History on display

HeritageRallyCF24feb2015

Here’s what you can expect to see at The Hindu  Chennai-Pondy Heritage Car Rally

The cars headed for Puducherry illustrate the march of automobile technology.  Some signify its baby steps, some others its giant strides.

Here’s what one can expect. The fleet includes a Citroen Traction Avant 11B. The Traction Avant is French for front-wheel drive. Citroen may not have introduced the world to front-wheel drive – Alvis, Cord and DKW beat Citroen to it – but it definitely popularised the concept, especially in Europe.

Hand-crafting is the mark of many cars from the past. Visitors to the rally will get to see a Volkswagen Karmann Ghia, which is one of the most exciting hand-crafted machines to emerge from the classic period.

In its days, it was a benchmark in styling.

And the traditional rivalry between British and American cars continues, with both camps being adequately represented.

A Chevrolet Fleetmaster (for representational purposes only)
A Chevrolet Fleetmaster (for representational purposes only)

The American machines on the trip include a Chevrolet Fleetmaster, Chevrolet Styleline, Chevrolet Impala, Studebaker President, Dodge Kingsway Convertible, Ford Model A, Dodge Brothers, and Packard Clipper.

The other flock includes Morris 8 Cutdoor, Morris 8 Series E, Morris Minor (Convertible), Austin Seven Chummy, Austin 8, Austin 16 and Triumph Herald.

An Austin 8 (for representational purposes only)
An Austin 8 (for representational purposes only)

“The bar has been raised this year with many 5hp, 7hp and 8hp cars joining in,” says Kylas Swaminathan, secretary, Madras Heritage Motoring Club. A small group of bike owners has signed up for the rally as well, with their Matchless G3L, Royal Enfield G2, BSA C11, Triumph 3H, Suzuki RV 90L, and an MV Agusta 150 cc.

source: http://www.thehindu.com / The Hindu / Home> Features> MetroPlus> Society / by Prince Frederick / January 28th, 2015

College students document lives of palmyra climbers, push for conservation

Madurai :

The decline in the population of palmyra trees, the official tree of Tamil Nadu, has raised concern among a group of college students here, who have released a documentary in a bid to promote awareness on the need to conserve these species.

About 30 students from the English department of Fatima College here travelled to Kovilpatti in Tuticorin district under the guidance of Dhan Foundation, an NGO and filmed the lives of palm climbers. The final documentary, titled ‘Waning Wealth’, was released recently.

R Arunadhi, a student of MA English, said, “Through the documentary, we are aiming to create awareness regarding palmyra trees. It portrays the life of palm climber and also speaks in detail about the products that we get from these trees, like the palm drink and palm sugar.”

The group picked Kovilpatti since the place is known for its significant palmyra tree population. The students travelled all the way to Kovilpatti taluk and started their shoot at four in the morning.

A J Bermita, another MA student, said, “Palmyra tree climbers wake up as early as 4am, so we started our day along with them. Out focus was basically on the disappearance of palmyra trees from Tamil Nadu.”

These trees were originally found in African tropical forests. In the state, palmyra trees have great significance since the leaves of these trees were earlier used to write Tamil scripts. However, a reported lack of state support, financially and technologically, to the labourers has caused the trees to disappear as less farmers opt for palmyra cultivation these days.

Kumari Ananthan, former president of Tamil Nadu Palmyra Workers Welfare Board, suggested that leaves of the trees be used to print wedding invitations, to raise more awareness about the trees.

“It is our duty to preserve the palmyra trees, since they are considered Tamil Nadu’s state tree,” she said.

source: http://www.timesofindia.indiatimes.com / The Times of India / Home> City> Madurai / TNN / February 22nd, 2015

Lakhs of devotees pay respects to forefathers

Trichy / Rameswaram :

Large crowds who had come to pay homage to their ancestors on the occasion of ‘Thai Amavasai’ gathered along water bodies in the state on Tuesday. The Rameswaram beach was flooded with people, while traffic came to a standstill in the temple towns  of Rameswaram, Kanyakumari, Tiruchendur and other places.
Nearly one lakh people from across the nation turned up at the Rameswaram beach to perform the rituals. Small groups of people could be seen all through the banks of the Cauvery River, which flows till the delta districts in the south. In Trichy, large crowds flocked to the banks of Amma Mandapam in the temple town of Srirangam. They took a dip in the Cauvery River, which is believed to be holy. According to Hindu mythology, Thai amavasai is considered an auspicious day, when devotees remember and pay respects to their forefathers. Devotees sat in the direction of the sun and offered their prayers. The rituals began early, at around 4 am, with priests and the public seated on the sides of the Amma Mandapam road.

In Srirangam, water had been released from the Mettur dam a few days ago especially for the occasion. The locality was fully packed, with little space to move around. Security was tightened along the shore since the Cauvery is flowing to its maximum and several drowning cases were reported in the past few months. Police personnel were also deployed to assist the people.

The civic body erected barricades made out of stainless steel extending along the river, to prevent devotees from going deep into the water. A well made out of stainless steel was dug to collect old clothes, to avoid pollution of the river. A concrete platform for the devotees to bath was also part of the arrangements.

However, in Rameswaram, many of the visitors announced displeasure at the arrangements. Those who had not booked their accommodation in advance were forced to spend their time in vehicles or on the roadside. Making matters worse, as much as Rs 20 was demanded at the paid toilets, visitors said. Since most hotels were full, people queued before the ‘annadhanam’ to try and get a meal.

Lack of proper traffic arrangements created traffic snarls in many places, with vehicles moving at a snail’s pace on the Pamban Bridge. Tourist buses had to be stopped about a kilometer away from the temple, and elderly people had to walk for long distances under the hot sun. Many of them complained of giddiness. S Shivakumar, a visitor, said the garbage management and drinking water facilities were also poor.

In Tiruchendur and Kanyakumari, crowds started coming in at the temples as early as 3 am, and made offerings at the beach. Thirupuvanam in Sivaganga, besides the Madurai Meenakshi Amman temple, too drew a large number of devotees. Special arrangements were also made for the public in Tiruvarur, Thanjavur and Nagapattinam.

source: http://www.timesofindia.indiatimes.com / The Times of India / Home> City> Trichy / TNN / January 21st, 2015

Chennai catering college bags 9 national awards

Chennai  :

A display of vegetables and fruits intricately carved to resemble flowers and animals, and ice sculptures bravely weathering Chennai’s heat greeted visitors on the lawn of the Institute of Hotel Management Catering Technology and Applied Nutrition in Taramani on Friday. It was awards night, and the place and the students were decked up suitably.

Students and faculty of the institute bagged nine national awards of excellence in hospitality education, including best award for operational performance and special award for all round performance. Secretary of tourism R Kannan gave away the awards to the students and faculty. He distributed prizes to the winners of various competitions held during Kalakriti Sangam 2015, a three-day national level inter-institute competition on culinary and table placement skills, held at the institute.

The institute, established in 1963 and inaugurated by then Prime Minister Lal Bahadur Shastri, has been sending graduates to the hospitality industry within and outside India from inception.

Institute principal and secretary S Rajamohan said, “The biggest challenges we face is Chennai’s climate, and the orthodox mentality of south Indians that prevents them from encouraging students to join this industry. There is a lot of opportunity in the hospitality industry with ample growth.” He said that the institute has been seeing a 100% placement record for the last seven years. The starting salary for a graduate ranges between 16,000 to 28,000 in India and around 40,000 overseas.

R Rangachari, advisor to South India Hotels and Restaurants Association, said one of the main aims of the institute was to upgrade the quality of life of rural people, teach them skills and provide them with employment opportunities. Shabin Sarvotham, senior general manager of GRT Grand Hotel, said, “We have seen the institute grow from offering a three-year undergraduate course to various certificate and craft courses and capacity-building programmes for professionals. It will continue to grow.”

source: http://www.timesofindia.indiatimes.com / The Times of India / Home> City> Chennai / TNN / February 14th, 2015

Land of Muniyandi Hotels Gears Up for Festivities

Madurai :

Thousands of people gathered at Sri Muniyandi Sami temple in the village of Vadakkampatti, in Thirumangalam, Madurai, for the biannual festival.

The village’s claim to fame is the restaurants named after the temple by the people here. Explaining the family practice, P Ramasany, who runs a hotel at Poonamallee in Chennai, said, “When the children reach their teens, they go to a hotel run by a relative. From the basics like cleaning tables, they graduate to supplier, master, cashier and eventually leave and start up their own hotel.”

Priests performing puja at Sri Muniyandi Sami temple in Vadakkampatti village in Madurai district. Biriyani is distributed as prasadam for devotees during the temple festival | N Vajiravelu
Priests performing puja at Sri Muniyandi Sami temple in Vadakkampatti village in Madurai district. Biriyani is distributed as prasadam for devotees during the temple festival | N Vajiravelu

Hundreds of hotel owners from the village, like Ramasamy, who owe their success to Muniyandi Sami, gather at the village every year to organise the grand two-day festival, a thanksgiving of sorts that has been on for the past 80 years. “The first bill each day in our hotels is in the name of Muniyandi. The money we save through those bills is donated for the festival,” said M Jeyaraman, whose ancestor was one of the first to set up hotels and also played a role in setting up the temple.

The young generation of hoteliers are, however, moving to other professions. But the hoteliers are hopeful that the festival never loses its grandeur. “Though our children may not get into this business, we teach them never to forget their roots,” said Ramasamy.

Until a few decades ago, the festival remained an annual festival. Difference of opinion between the Naidus and Reddiars led to the festival becoming a biannual festival.

While the Naidu community celebrates it on the second Friday of the Tamil month of Thai, the Reddiar community celebrate it in the next Tamil month of Maasi.

source: http://www.newindianexpress.com / The New Indian Express / Home> States> Tamil Nadu / by Pon Vasanth Arunachalam / February 23rd, 2015

Joe D’Cruz novel gets an English publisher

A publisher had refused to publish Joe D Cruz’s book citing his support to BJP in Lok Sabha polls.— File photo
A publisher had refused to publish Joe D Cruz’s book citing his support to BJP in Lok Sabha polls.— File photo

Earlier, a publisher aborted project citing author’s support to BJP in Lok Sabha polls

Sahitya Akademi winner Joe D Cruz’s Tamil novel Aazhi Soozh Ulagu is at last likely to be published in English.

An earlier attempt to bring out an English version was aborted after the publisher and translator cancelled the project, because Mr. D’Cruz voiced his support to the BJP in the run-up to the Lok Sabha polls.

Oxford University Press (OUP) has now decided to come out with a fresh translation. “I went through over 50 pages already translated and I am happy with the version,” said the writer, a Catholic.

Publishing firm Navayana and translator V. Geetha disagreed with Mr. D Cruz’s political stand and decided against publishing the English translation that was titled Ocean Ringed World . “We cannot press for its publication when the translator is against the idea,” said Mr. D Cruz, whose second novelKorkai won the Sahitya Akademi award in 2013.

Both Aazhi Soozh Ulagu and Korkai capture the life of fishermen in the Gulf of Mannar, providing deep insight into the psyche and tenacity of the community, which embraced Christianity as a token gratitude to the Portuguese, who offered protection to pearl fishing.

Former college teacher G. Geetha will be the new translator. “We zeroed in on Ms. Geetha since she has previous experience in translating literary works involving the Christian community and the life of fishermen. Moreover, we need a translator who has time to do justice to the voluminous novel,” said Mini Krishnan, editor, Translation, OUP.

Ms. Geetha, who taught English for nine years in a city college and quit the job to focus on translation, has rendered into English Hephzibah Jesudasan’s Puthan Veedu (‘Lizy’s Legacy’) written in the dialect of the Nadar community in the western part of Kanyakumari district, Vannanilavan’s Kadalpurathiley (‘ By the Seaside  )  portraying the life of fishermen and S. Ramakrishnan’s novel for children Kiru Kiru Vaanam .

“Translating Aazhi Soozh Ulagu is both interesting and challenging as it is a one-of-a-kind novel,” Ms Geetha said. Even though there were other novels depicting the life of the fishermen community, Aazhi Soozh Ulagu was rich in information and written in the authentic language of the people.

Ms. Krishnan said popular response to translated books was very good and OUP found demand for reprinting. “Our range is wide when it comes to translation. We have 120 titles in 15 Indian languages translated into English,” she said.

source: http://www.thehindu.com / The Hindu / Home> News> Cities> Chennai / by B Kolappan / Chennai – February 23rd, 2015

Bridging eras through verse

Behind the scenes of the documentary. Photo: special arrangement
Behind the scenes of the documentary. Photo: special arrangement

Independent musician Pradeep Kumar and American docu-maker Elias Bouquillon are on a mission to convey the musical essence and meaning of the Thiruppugazh. Apoorva Sripathi has the details

Little is said about the 15th Century Tamil poet-saint Arunagirinathar in today’s mainstream media. Nevertheless, he has been the subject of three films — twice in 1937 and then in 1964, the character portrayed brilliantly by playback singer T.M. Soundararajan. The saint worshipped Lord Muruga, penned the anthologyThiruppugazh and his songs are known for their complex rhythmic structure.

Chennai-based Poorvaa Productions, founded by independent musician Pradeep Kumar, celebrates the Thiruppugazh, through a musical documentary Arunagiri Perumale. The documentary features eight selected compositions from the work and is featured as live music concerts that are arranged to unravel three parallel storylines — the mythological tales of Lord Muruga in whose praise these poems are written, the historical background of the poet and the contemporary period. While the selected compositions have been recorded using a 16-piece orchestra assembled in Boston, one of the songs, ‘Santhatham’, has been released as a single.

Pradeep’s journey began in January 2013. “I got drawn to the Thiruppugazh while I was composing tunes for it. I used to learn it from my guru J. Venkatraman in Tiruchi who would always mention to me that the text had something deep. I then took a trip to Tiruvannamalai,” at which point Elias Bouquillon, the American director of the documentary, interrupts to say that Pradeep walked the entire distance from Chennai to recreate the experience of Arunagirinathar doing the same.

Pradeep then met a musicologist who helped him understand and obtain insights into the poet-saint’s life and his works. The following year, Pradeep travelled to Boston courtesy Elias, whom he first met in 2008 during the Northeastern University Fusion Arts Exchange (NUFAX), aimed at encouraging international collaboration of artists.

The orchestra in performance. Photo: special arrangement
The orchestra in performance. Photo: special arrangement

“I badly wanted to record an eight-piece string ensemble for the Thiruppugazh and I gave Eli a gist of what I was working on,” says Pradeep. Eli chimes in, “That’s when I asked him if he was joking — Pradeep said that he wanted to make an album of eight different concerts in eight countries for a mere eight track album. When he finished, I just said, ‘Oh this sounds like a movie,’ and the next minute I was offered the chance to direct it. That’s when I thought, ‘This is precisely where I need to be’.”

Arunagirinathar, for Pradeep, is a person of endless fascination and a source of inspiration. “He didn’t really want his compositions to be popularised, he was selfless, and a master of all eight Siddhis. When I gathered all this information, I realised the literary depth in his works and that the Thiruppugazh is unparalleled in terms of epics that combine the saptham and the vaarthai (the sound and the word). I wanted to show his efforts through the story and through the lens of his own work.”

Around June-August, Pradeep had Skype conversations with the rest of the members of the production team (music director Sean Roldan, Susha) to start work on the same.

Elias and Pradeep then set to work getting in touch with musician friends, people they had met during the exchange programme, to narrow down the list to 36 people that became a final 16 (while Pradeep’s wife Kalyani wrote the notes and conducted the orchestra, the concert-master even turned down a well-paying gig to do this, exclaims Elias).

Apart from live concerts, the documentary also features temples in South India that the poet-saint visited during his travels of musical worship.

“The eight compositions we chose for Arunagiri Perumale were at random and only three have names of places mentioned. We determined the other five — Pazhani, Pazhamudhir Cholai, Thirukazhukundram, Kanchipuram and Thiruvidaikazhi — by selecting Tiruvannamalai as the start and the end point,” Pradeep says.

From their fervent conversation, it’s evident that Pradeep and Elias’s passion for Arunagirinathar runs deep. But it’s the funds they have been struggling with. “I think you could call this a family project,” laughs Pradeep. “But that’s where the Wishberry Crowdfunding Campaign comes in. The whole idea was to reach out to people. And this is not a donation but just funding, and people who help will be closely associated with the project.”

The Wishberry website not only lists rewards for contributors to this project, but also an impending deadline. Failing to meet it will only mean, “pushing back the release schedule, slowing down of the process including payment of loans… but we won’t fail regardless of the money,” says Elias.

But Pradeep truly has the last word about this project, “If an artiste doesn’t struggle he will not get his message across. Arunagirinathar’s message is important and that is to ‘surrender to someone or something’. I surrendered myself to an idea to give everything I have through his work.”

To contribute to the documentary, listen to songs and read more, visit Poorvaa.

source: http://www.thehindu.com / The Hindu / Home> Features> MetroPlus / by Apoorva Sripathi / Chennai – February 04th, 2015

Understanding Kannagi and her credo

Members of the Kannagi Study Circle at the Chellathamman Temple. Photo: G. Moorthy / The Hindu
Members of the Kannagi Study Circle at the Chellathamman Temple. Photo: G. Moorthy / The Hindu

Kannagi Study Circle, a students group aims to research upon the characterisation, identity and philosophy of Kannagi, right from the historic figure to the politicised one of the current times that she is.

Amidst the contemporary buzz on Vakil New Street, sits a quaint little temple that nurtures history from a millennium ago. It is said that one of the most illustrious Tamil women whom people still hold in reverence and awe, lived here 1,400 years ago.

Memories of Kannagi who epitomises chastity and justice invade the sacred air inside Chellathamman Temple, as the priest Logu Pillai pensively tells her story – brewed in love, betrayal, melancholy and revenge! “This was where Kannagi took shelter under Madiri Adigal, an old Jain nun, while her husband Kovalan went to sell the emerald anklet in the market,” narrates Logu Pillai.

The sanctum-sanctorum contains a stone idol of Kannagi, sitting with an anklet in her left hand and Madiri Adigal is immortalised in the form of smaller idol next to her. Legend holds that Goddess Meenakshi descended on earth to appease the enraged Kannagi and save the city from getting burnt to ashes. “This means, at that point of time, Kannagi was more powerful than the Gods. That was the value for truth and justice,” suggests the priest, while a bunch of 10 college students from the city listen to him in rapture.

Under the umbrella of Srishti Madurai, like-minded students have come together to form ‘Kannagi Study Circle’, through which they aim to understand the various philosophies connected to the fable and the literary work of Silapathikaram. The students see Silapathikaram as a connecting point for Hinduism, Jainism and Buddhism. “The book talks about basic principles of all these religions and depicts a time when the three co-existed in the Tamil country. The later part of Silapathikaram, calledManimekalai, describes Buddhist ideologies in detail,” observes Gopi Shankar, a research scholar. Above all, Silapathikaram brings out the power of the common man, unlike epics that praise kings and the nobles.

“Till date, Kannagi is seen as a revolutionary, who broke the codes of the system and questioned the king directly. She didn’t plead for justice. She demanded it. She burnt down the city to avenge the wrong caused to her,” adds Gopi. “The parable of Kannagi is famous across Tamil Nadu, Sri Lanka and neighbouring Kerala. There are even folk traditions to the story. She is worshipped as Pattini devi in different parts of Southern India,” says Mahima. “We see Kannagi as a bridge between the three religions and the three kingdoms of Chola, Chera and Pandya. We also view her as a symbol of female power and women empowerment. Ages ago, as a single woman she brought the whole Pandya country to a grinding halt,” adds Teresa.

That Ilangovadigal, the author of Silapathikaram, is a Jain monk holds significance too. “Jainism that came from North India was widely adopted by the locals here and it evolved into a unique culture and religion. Tamil Jainism has composite values taken from Jainism and native Tamil philosophies,” says Iniyan, a member of the Study Circle. Apart from Chellathamman Temple, the students have visited the numerous Jain beds and sites around the city, including Keelakuyilkudi, Arittapatti, Keezhavalavu and Maangulam. Of all the places, Samanatham is the most important, they say.

“The villagers directed us to a sandy mound where they believe that thousands of Jain monks were massacred thousands of years ago,” recounts John Marshall, a Post-graduate student of his visit to Samanatham village, near Madurai. “Though there are literary references to this event, there’s no monument in memory of those saints.” He says that Samanatham was actually called ‘Samanar Ratham’ (The blood of jains). “Periyapuranam, a Bhakti work by Sekhizhar, narrates the incident in detail. The Tamil Jain community, which contributed so much to Tamil literature, has almost vanished over the years. But the philosophies they propagated continue to live.”

source: http://www.thehindu.com / The Hindu / Home> Features> MetroPlus / by A Shrikumar / Madurai – February 19th, 2015