Monthly Archives: March 2014

Nightmare in Ariyalur, a brave tale from 1956

The Thoothukudi Express lying helter-skelter on the banks of the Maruthaiyar. / Photo: The Hindu Photo Archives / The Hindu
The Thoothukudi Express lying helter-skelter on the banks of the Maruthaiyar. / Photo: The Hindu Photo Archives / The Hindu

A survivor of a major train disaster in Tamil Nadu shares the trauma she passed through, all of 57 years later

As a fortunate survivor of one of India’s deadliest railway disasters, the Ariyalur train accident, it is time to lay my story and the nightmarish ghosts to rest, by putting my experiences down in writing.

It occurred on November 23, 1956, leaving 142 passengers dead and 110 injured. An estimated 200 people were buried in the debris. Many were missing, their bodies never to be recovered.

Torrential rains had swollen the river Maruthaiyar to a level where the waters almost touched the rails on a bridge between the Ariyalur and Kallagam stations, breaking the embankment to a length of nearly 20 feet, causing flash floods.

From The Hindu, November 24, 1956
From The Hindu, November 24, 1956

Off the rails

About 2 miles after leaving Ariyalur station and 20 miles away from Trichinopoly (Tiruchirapalli), the train slipped off the rails. Its steam engine and seven timber-built carriages including the parcel van telescoped and fell into the river. The eighth coach derailed and four carriages in the rear remained intact.

Then aged 21, I had boarded the Thoothukudi (Tuticorin) Express at Madras (Chennai) at 9.50 the night before, with my aunt. Like Santa in his gift-filled sleigh, we were laden with our Christmas shopping from Moore Market, an old-fashioned steam engine deputising for the reindeer for our journey to Trichinopoly. We were the only occupants of a bay of the eighth compartment of the 13-coach train, one having been detached at Virudhachalam to go on to Salem separately. After a light meal, we settled down for the night and soon fell into deep sleep.

Our terrifying ordeal began with a tremendous jolt and bang. There was a sizzling hiss of steam and, then, ear-piercing screams. After being left sprawling across the floor of the compartment, my first urge after regaining my composure was to jump out of the train. My aunt grabbed me on time: “Don’t jump! We are on a river,” she screamed. She saved me from a watery grave.

Like a puppet on a string, I ran around the compartment in circles. My watch showed it was 5.30 a.m. Peering out of the window, the first crack of daylight revealed a mighty river that roared eerily as it frothed and rushed furiously, taking everything in its path — trees, train wreckage and bodies of men, women and infants. Perched on a platform on the bridge, the guard yelled, “Get out, your compartment has derailed.” In response, my aunt, in her overpowering voice, shouted: “follow me.” “I can’t,” I cried, clinging to her. Wrenching herself off, she bravely unlatched the door and lowered herself to the step of the compartment precariously. She then clambered along, holding on window to window and heading towards the rear of the train.

In an incredible act of heroism, we were walking back to Ariyalur station to seek help.

Prayer for deliverance

Turning my eye heavenward, I prayed for deliverance. Mustering my courage and leaving the precious parcels behind, I followed my aunt in utter terror along with other passengers who had vacated the eighth coach. I remembered the lines from Tennyson’s ‘The Charge of the Light Brigade’: “…into the valley of death rode…”

My heart pounded, my teeth chattered and I trembled with fear and cold as I gripped the window bars of the compartments. Loosening my grip would mean certain death. Using every ounce of my strength and with unswerving determination I struggled to save my life. With bruised palms I swayed across four compartments and eventually reached the last compartment in the reassuring presence of my aunt. She was a heroine.

Frightening hours

Being stranded there, waiting to be rescued with floodwaters on either side of the track, were the most frightening hours of my life, observing a scene a human eye could never have seen. It has haunted me all my life. The river bank was bathed in blood with human pulp, headless corpses, severed limbs, torsos and heaps of bodies wrecked of life’s esteem.

After an anxious wait of about four hours, the floodwaters gradually abated. Finally, as the river meekly meandered in its course and corpses bobbed in and out of water, we were rescued. A locomotive arrived to tow us safely back to the Ariyalur station.

There were triumphant screams mingled with sadness for those lost in one of the worst disasters that gripped a nation.

joycevernem@hotmail.com

( At the time of the accident, young Joyce Philomena was a clerk at the Golden Rock Railway School in Tiruchi, newly recruited by Southern Railway. Two years later, she was tranferred to the Divisional Railway Superintendent’s office in Tiruchi. She married Clarence Vernem, a Guard with Southern Railway, and moved to Madurai where she continued to work for the Railways until opting for voluntary retirement from service in 1982.

A young Joyce Philomena (left) was a clerk at the Golden Rock Railway School in Tiruchi. She now lives in Melbourne (right) / The Hindu
A young Joyce Philomena (left) was a clerk at the Golden Rock Railway School in Tiruchi. She now lives in Melbourne (right) / The Hindu

The following year, Mr. Vernem passed away. She migrated to Australia in 1996 to join her two children and their families. She now lives in Melbourne (right). Upon being contacted by The Hindu on the phone on March 1 after she sent in her account to Open Page, Ms. Vernem (who provided the details given here of herself) said she remained terrified of trains for years. She later mustered the courage if only to watch passing trains, and would marvel at “how brave the passengers were” !

After suffering nightmares and sleep-walking disorders, she eventually overcame her dread, and often passed Ariyalur by train. A year shy of 80, she still occasionally takes the train in Australia, and lives a “very active life.”

As for her aunt, Eugene Gilles passed away in 1985.)

source:  http://www.thehindu.com / The Hindu / Home> Opinion> Open Page / by Joyce Philomena Vernem / March 02nd, 2014

8-hr Surgery Saves Cuddalore Farmer

A 59-year-old farmer got a new lease of life after doctors from JIPMER performed an eight-hour laparoscopy and one third of the liver affected with tumour was removed.

The surgery was performed on February 15 and the patient is fine after two weeks of the surgery, said Dr Biju Pottakkat, assistant professor of surgical gastroenterology.

The patient hailing from Cuddalore came to JIPMER with cancer of the large intestine four months ago. It was found that the cancer had also spread to one part of the liver.

The tumour in the large intestine was removed and was treated with chemotherapy. One tumour in the liver remained intact even after the chemotherapy.

The three-inch tumour was in the left part of the liver which the doctors planned to remove through laparoscopic surgery.

The operation was named anatomic left lateral liver sectionectomy and was performed by Dr Biju Pottakkat and Dr R Kalayarasan from the Department of Surgical Gastroenterology and supported by anaesthesia team led by Dr S Adinarayanan.

Four small holes of one centimeter each were used for the operation. One third of the liver affected with the tumour was removed and the entire operation was completed through key hole laparoscopic surgery.

It took eight hours and the patient became conscious immediately after the surgery. Although the operation was complex, blood transfusion was not needed in this case.

Doctors used a special equipment named  ‘laparoscopic ultrasonic surgical aspirator’ for the operation, which was recently purchased.

“The patient was made to walk a day after the surgery on February 16 and started taking food. A week after the surgery, he was discharged and is now doing well,” said Dr Biju Pottakkat.

The operation which would cost around `1.6 lakh in a private hospital was done free of cost.

source: http://www.newindianexpress.com / The New Indian Express / Home> States> Tamil Nadu / by Express News Service – Puducherry / March 02nd, 2014

Convention on cultural heritage in Chennai

SPIC MACAY (Society for the Promotion of Indian Classical Music And Culture Amongst Youth) and IIT-Madras will be conducting a week-long convention on Indian cultural heritage here starting June 8, 2014.

The convention, the second such one, would be attended by 1,500 delegates from the country and abroad and over 50 renowned artists will showcase their performance and organise workshops, a release here said today.

There will programmes of classical music and dance, folk, theatre, films, yoga, talks by eminent people, handicraft workshops and other activities, it said.

Some of the artists scheduled to performing at the convention include M Balamuralikrishna, Pandit Shivkumar Sharma, Pandit Ulhas Kashalkar, Pandit Venkatesh Kumar, Vidwan Ravikiran and Mandolin Srinivas among others, it added.

source: http://www.business-standard.com / Business Standard / Home>  News> PTI Stories> National> News / by Press Trust of India  / Chennai – March 06th, 2014

Sculpture, copper coins unearthed in Srirangam

Trichy :

The state archaeology department, which is excavating the premises of the 1,000-pillar mandapam (pavilion) at the Sriranganathaswamy temple in Srirangam, has unearthed the statue of an elephant and several treasures including copper coins. Digging is currently on at the rear of the mandapam as a portion of it is buried in sand.

A 12-member excavation team, which commenced work from Monday, found the 12-feet tall stone sculpture of elephant on Tuesday. Four curators, who are assisting the archaeologists, said copper coins and stone idols too were found in the site. They expect more metals and idols during the ongoing excavation.

When the mandapam was last renovated in 2011 its sides were spruced up. Water was made to flow through the sides to strengthen the base of the structure. The renovation was carried out by the Hindu Religious and Charitable Endowments (HR&CE) department.

source: http://www.timesofindia.indiatimes.com / The Times of India / Home> City> Trichy / by Harish Murali, TNN / March 06th, 2014

Book on soil fertility status of TN released

A book on soil fertility status of  Tamil Nadu , documented by Tamil Nadu Agricltural University, has been released for benefit of various stakeholders in the agriculture sector.

To document soil fertility status of nine selected districts of high fertilizer consumption viz Thanjavur, Nagapattinam, Thiruvarur, Cuddalore, Villupuram, Salem, Erode, Tiruchirapalli and Coimbatore,3,600 soil samples were collected from small, medium and large farm holdings, TNAU Vice-Chancello K Ramasamy said in a release here today.

The samples were analyzed for 12 parameters, including electrical conductivity, organic carbon, available nitrogen, phosphorus, potassium and the thematics maps depicting the soil fertility status were generated using GIS, he said.

The book titled ‘GPS and GIS Based soil fertility appraisal for selected districts in Tamil Nadu- a Monograph,’ was released by Sandeep Saxena, Agriculture Production Commissioner and Principal Secretary (Agriculture), on March four, he said.

Monograph is a precious documentation and would serve as an appropriate tool for macro level planning and soil health maintenance in Tamil Nadu, he added.

source: http://www.business-standard.com / Business Standard / Home> PTI Stories> National> News / by Press Trust of India / Coimbatore – March 06th, 2014

A revolutionary who shook Tamil society (Book Review)

Title: Periyar: A Political Biography of E.V. Ramasamy;

Author: Bala Jeyaraman; Publisher: Rainlight/Rupa; Pages: 124; Price: Rs.295

No one did what E.V. Ramasamy (Naicker), popularly known as “Periyar” (respected one or elder), did to Tamil society. The father of the Dravidian movement was a rationalist, a social reformer, a political activist and, above all, an unabashed atheist, the only one in modern India of his stature to publicly defy Hindu gods. But he did not remain a mass leader forever. When he was, he had the guts to denounce Mahatma Gandhi, and he played a key role in destroying the Congress party in what is now known as Tamil Nadu .

Ironically, for one who was passionately anti-God and anti-Brahmin, he was named after an avatar of Lord Vishnu because his parents visited many temples and prayed to many deities praying for a child. What makes Jeyaraman’s book a good read is it neither sees Periyar as a superman his admirers make him out to be nor as a hateful demagogue his critics say he was.

After a difficult young life during which time he fled his home and once scavenged for leftovers in the garbage, Periyar developed leadership traits as he returned to take care of the family business. In no time he became a member of the Erode Municipal Council, becoming its chairman in 1918. He was “unafraid and scrupulously honest”.

He joined the Congress, partly because of his (earlier) high regards for Gandhi. But the Brahmin dominance of the party stifled him. Once he walked out, he made it clear that his mission was to destroy God, religion, Gandhi, Congress and the Brahmin, whom he loathed.

Thus began the Self-Respect Movement that made him an outspoken critic of Hindu religious rituals and Hindu gods. He campaigned for equal rights for women, widow remarriage and untouchability – no easy task in that era. He organized weddings without Brahmin priests or Sanskrit hymns, at times holding them during the supposedly inauspicious “Rahu Kalam”! He even advocated test tube babies! When his wife died, he had her body put in a coffin, carried in a hearse and cremated – “to combine the funeral customs of Muslims, Christians and Hindus”.

When a Rajaji ministry tried to impose Hindi on the Tamils during the British era, Periyar called for a separate “Dravida Nadu” – a la Jinnah’s Pakistan. He did not accept government office but came to form the Dravida Kazhagam or DK (from which were born the DMK and, later, the AIADMK). It was Periyar’s second marriage, to one far younger to him, that partly led to a split in the DK and the birth of the DMK. The latter’s growth clipped Periyar’s wings over time.

His opposition to Hindi and Hindu gods, however, raged on. But his post-independence call for boycott of Brahmins went nowhere. Periyar also sought a ban in government offices of all religious holidays and display of pictures of Hindu gods.

Periyar was no armchair revolutionary. “Probably there is no other personality in Tamil Nadu whose legacy has been debated and fought over as much as that of Periyar’s.” He remained a fighter till the very end, at times getting wheeled to public meetings with a urine bucket in tow. One of his legacies is the near complete absence of caste-based surnames in Tamil Nadu. But his atheist plank has almost been abandoned by the Dravidian parties of today. It is impossible to understand today’s Tamil Nadu politics without knowing Periyar.

(M.R. Narayan Swamy can be reached on narayan.swamy@ians.in)

source: http://www.business-standard.com / Business Standard / Home>  News-IANS> Arts-Culture-Book / by IANS / February 03rd, 2014

Vellore Doctor Gets Award from President

A consultant-nephrologist attached to the Sri Narayani Hospital and Research Centre here has received a medal from the President of India Pranab Mukherjee at a function held recently in Delhi.

According to Dr K Venkatraman, the consultant- nephrologist and transplant physician, the award was conferred on him for topping the DM (Nephrology) course at the Post Graduate Institute of Medical Education and Research (PGMER) of the Ram Manohar Lohia Hospital in New Delhi affiliated to the  Guru Gobind Singh Indraprastha University, Delhi. Pranab Mukherjee, who was the chief guest during the Founder’s Day celebrations at the institute, awarded the medal to Venkatraman for his performance in the three-year DM super specialty course where he studied before joining the Narayani Hospital here.

Thirtytwo-year-old Venkatraman, a native of Vellore, studied  MBBS in Stanley Medical College, Chennai; was  MD in Tanjavur Medical College before joining the PGMER.

He is heading the Nephrology Department in Narayani Hospital which is the second private hospital in the city to have a full-fledged kidney care and dialysis facility, other than the CMC Hospital.

source: http://www.newindianexpress.com / The New Indian Express / Home> States> Tamil Nadu / by Express News Service – Vellore / March 04th, 2014

Second Coming to Rock City this Week

Musicians of Second Coming | Express

It’s not often that a place like Vellore gets to witness one of the premiere music bands of  the country perform. This Friday, the city will witness a performance by one of the favourite groups,  Second Coming, at a private function.

The story of  Second Coming is one that speaks about second chances in life and how a bunch of experienced musicians following their passion of writing their own music have shot to national prominence.

It all started over four years ago, as a series of impromptu jams at the house of Sengen Joachim in Yercaud. Anyone who was in Chennai during the 70s would have heard of the band The Avengers and its leader Sengen Joachim. Sengy, as he’s affectionately known as, now lives in Sacramento, California but he spends four months of the year in Yercaud where he is in the process of setting up an artists village on his 60- acre property.

It was here that Sengy met Reji Varghese, who had by that time already released an album of his own compositions. A strong bond and friendship developed between Sengy and Reji and they started composing and recording their own music, a few of which went on to be aired on radioand a few on TV as jingles for Pondy Tourism. They were joined a year later by bass guitarist Tenny Allwood, jazz guitarist Philip Kohlhoff, keyboard-player  Mark Wilcox and drummer Maynard Grant.

The line-up now includes rising star and young vocalist Ryan Fernandez and guitarist Darren Netto, who is referred to as ‘The Jimmy Hendrix of Chennai’.

The impromptu jam sessions in the hills of Yercaud  have now snowballed into over 65 concerts across five States, and four hit songs from their debut album Colours New.

Second Coming has its own state-of-the-art recording studio at Perambur, Chennai, where they record their own music as well as jingles.

source: http://www.newindianexpress.com / The New Indian Express / Home> States> Tamil Nadu / by Express News Service – Vellore / March 04th, 2014

Shipyard delivers fourth FPV

Cochin Shipyard Limited today delivered ‘Abhiraj’, the fourth of the series of 20 Fast Patrol Vessels being built for the Indian Coast Guard.

The vessel will be operated by the Coast Guard station at Tuticorin.

It can move at a speed of 33 knots and will be very effective in supporting the Coast Guard in its anti smuggling, anti piracy operations, fisheries protection and monitoring, a CSL press release said.

Cochin Shipyard had signed the contract for construction of the 20 Fast Patrol Vessels for the Indian Coast Guard on October 20, 2010. The yard had earlier delivered three vessels — ‘Abheek’, ‘Aadesh’ and ‘Abhinav’.

The first protocol of delivery was signed by Ravi Kumar Roddam, Director (Finance), on behalf of CSL and commandant designate of Coast Guard Commander Ashok Kumar.

Apart from the 20 Fast Patrol Vessels for the Coast Guard, the yard is also constructing the country’s first Indigenous Aircraft Carrier, a Offshore Support Vessel for Norwegian owner and Buoy Tender Vessel for Directorate of Light Houses and Light Ships.

source: htttp://www.business-standard.com / Business Standard / Home> PTI Stories / by Press Trust of India / Kochi – March 04th, 2014

Creative Explorations

Srinidhi Chidambaram. / Photo: R. Ragu / The Hindu
Srinidhi Chidambaram. / Photo: R. Ragu / The Hindu

Srinidhi Chidambaram’s individuality shines as she pushes the boundaries of the Margam.

At a time when small children spent hours at home playing, Srinidhi Chidambaram straddled the stage to playact the role of young Bharata (as a four-year old) in the production, ‘Shakuntalam,’ led by legendary dancing queen Kumari Kamala. Young Srinidhi put to rest the fears of her grandmother that she would fall asleep even before her curtain call… For, not only did she stay awake, but she also got her dialogue delivery right! She, thus, stole the hearts of the viewers, and from then on, there has been no looking back.

For almost seven years, from the age of three, Srinidhi trained under Guru Kamala. Recollecting the time spent with her teacher with fondness, Srinidhi remembers the unconventional approach she had to teaching, making the learning process enjoyable even as they played – at the same time, she was a disciplinarian and a perfectionist, and there were no short-cuts.

Yet one lesson remained imprinted in Srinidhi’s mind, a lesson she continues to pay heed to even today- Kamala taught her that dancers were never to show their disapproval of accompanying artists, by ‘stomping their feet’ or ‘glaring at them’, if a faux pas had taken place during a concert, and ‘never to pick up fallen jewellery’ while still on stage.

Completing her arangetram at the age of seven, she began giving solo performances and suddenly two years later, she found herself without a guru when Kamala decided to migrate to the U.S. It was then that the search for her next guru led her to the great teacher, Swamimalai S.K. Rajaratnam Pillai, who moulded and chiselled her talent.

The strength in precise geometric lines combined with grace seen in her dance was her guru’scontribution. The musical and choreographic genius that he was, he ensured that each of his students developed their individual identity, without becoming clones!

He also encouraged his students to choreograph the songs independently. This, she says, “helps me to create new choreographies even to this day. The additional training I received in music, under Suguna Purushottaman and Kamalarani for nattuvangam, has also added depth to my work.’’

A FRUITFUL JOURNEY: Srinidhi Chidambaram. / Photo: S.S. Kumar / The Hindu
A FRUITFUL JOURNEY: Srinidhi Chidambaram. / Photo: S.S. Kumar / The Hindu

Child prodigy

This dancer who was labelled ‘child prodigy’ by the famous critic Subbudu, went from strength to strength, carving a niche for herself. A classicist in her own right, she has been acknowledged for her excellence in dancing to the traditional Margam repertoire. With experience and maturity came the urge to be creative, which found her pushing the boundaries of the Margam, without moving away from it. The recent years have seen her perform to the new repertoire that she is slowly working on. ‘Chennai’ was her response to the city that has been so much a part of her growing up, and as a Chennai girl, she did a full length Margam as a tribute to the city she loves.

In this search for new themes rose the need for new compositions, and this time it was her father-in-law who introduced her to the poetic world of Vairamuthu, which she absorbed so easily, especially since she was inculcated into the love for Tamizh literature by her teacher at Good Shepherd Convent, Shanti Ganesan. “Vairamuthu’s poetry,” she says “has the ability to convey the deepest emotions in simple, but attractive Tamizh that goes straight to the heart, and has a cadence that lends itself well to music.”

Srinidhi has choreographed many pieces based on his poems and memorable is her response to ‘Avasara Thalatu,’ the woes of a working mother of today, who dons several hats even as she tries to juggle her time between her career and home. In today’s fast paced world, where mothers seldom have the luxury of a slow paced thalattu or lullaby, ‘Avasara Thalatu’ comes as perhaps the best answer! When Nature exploded with rage in Uttarakand, the artist in her sought Vairamuthu once again, this time to unleash her queries about Nature’s Fury.

The immense support that she has received from her long time associates, Swamimalai Suresh and Radha Badri, has given her the much needed strength to add a new dimension to the classical Thanjavur Quartette piece, ‘Sakhiye inda velayil.’ She modestly admits: “One cannot perhaps beautify a composition that is already so brilliant. Yet I have attempted to do so.” To the lines of the pallavi, anupallavi and charanam, she has incorporated some verses from Divya Prabandam and Nachiar Thirumozhi, which are appropriate and blend well with the ideas expressed in the varnam.

When asked about the response to her innovation, she said candidly that it was a “mixed bag” – “I take criticism in my stride and my worst critic is my mother!”

She continues to explore further and has recently worked on a medley of Tyagaraja kritis, as a composition on the lines of a varnam besides experimentation with the thillana too. She is quite excited about this new phase of a creative journey.

Managing a full time career as a medical professional, it is her deep love and passion for the arts inculcated in her by her grandmother and parents that see her sailing from one Season into another.

For Srinidhi, it has certainly been a long and fruitful journey dotted with many awards and accolades, the most notable being the Kalaimamani and the Nrityachoodamani.

source: http://www.thehindu.com / The Hindu / Home> Features> Friday Reviw> Dance / by V. V. Ramani / Chennai – February 27th, 2014