Category Archives: Arts, Culture & Entertainment

Strings of harmony

Lalitha and Nandini. / Photo: S. R. Raghunathan / The Hindu

At Nandi Fine Arts: Lalitha and Nandini burnished every swara with plenty of soul.

Meticulous planning, comfort zone playing and best choice of kritis made the violin duet of Lalitha-Nandini, at Sastri Hall, Mylapore, for Nandi Fine Arts enjoyable. It was gratifying to note that in between their musical expeditions of different genres, the sisters also provide space for tradition-bound playing to the pleasure of connoisseurs.

The Surutti varnam added extra sheen to the concert as the siblings burnished every swara with plenty of soul. Papanasam Sivan’s ‘Gajavadana’ in Sriranjani with swara suites opened up the unlimited shades of the beautiful raga. Latangi was developed by both, emphasising its vivacity.

Chiselled phrasings

Patnam Subramanya Iyer’s ‘Aparadamula’ and their expansion on ‘Kripa Jesina’ with niraval and swarams was testimony to their strong base in the classical idiom. The Kharaharapriya raga treatise for Tyagaraja’s evergreen ‘Chakkani Raja’ was approached by Lalitha with veneration; she built it up with carefully chiselled phrasings. The kriti was rendered at a leisurely pace to provide enough importance for the swaras at ‘Kantiki Sundara.’ The spirit with which the sisters exchanged swara sallies added weight to the rendition.

On the lighter side, the duo played a rare composition of Muthiah Bhagavatar in the unusual raga, Buddha Manohari, ‘Om Namo Narayana’ of Ambujam Krishna in Karna Ranjani and a javali as a tribute to Brinda Amma.

S. Sridharan on the mridangam and G. Ravichandran on the ghatam kept rhythm with the right perspective. Their thani was energetic.

(During the December Season, the sabhas vie with each other getting artists and conducting programmes. But, it would help the audience if the organisers show equal interest in sprucing up the auditorums. Sastri Hall’s ceiling is peeling off and this scribe had to shift to three different locations to protect himself from the dripping of water from the open gaps in the ceiling.)

source: http://www.TheHindu.com / Home> Arts> M usic / by G. Swaminathan / Chennai, December 06th, 2012

Beginnings of Indian cricket

MADRAS MISCELLANY:

Looking for a definitive date for the beginnings of cricket in Madras, a Daniells painting seemed to indicate that it would have been 1792. By the 1840s, European clubs, British military teams and Planters’ XIs had begun to play the game a bit more seriously and by the 1860s, more competitively. By the 1860s too, they had introduced the game to Indians, who began to play it in schools and colleges and in friendlies between scratch teams. But it was the founding of the Madras United Cricket Club in 1888 that resulted in Indian cricket being born as an institution. That Club, now called the Madras United Club, will begin celebrating its centenary year from December 8, a few days away.

Responsible for founding the Club was M. Buchi Babu Naidu of the Dera Venkataswami Naidu clan, and a few of his friends who shared his passion for the game. Buchi Babu’s own passion for the game developed when the English nurses he and his four brothers had, used to take them to watch the sahibs at play. It was said many years later, “Buchi Babu lived and died like an Englishman with all the English love for horses, cricket, tennis and fox-hunting.” It was this love for the game that had him gathering as many teenagers as possible in his neighbourhood to learn the niceties of the game in the spacious grounds of the family mansion in Luz. His fellow-founders of the Club did the same in their homes. And these recruits were the nucleus of the MUCC team when it got its own ground on the Esplanade where its clubhouse still is, though those grounds have been taken over by Government.

With the MUCC having a ground and a team, Buchi Babu was determined to take on the first formal cricket club in South India, the ‘Europeans Only’ Madras Cricket Club. This was easier said than done, with Indians not being allowed the use of the pavilion. Buchi Babu, who came from a family of dubashes (of Parry & Co) and who himself was a dubash, was, as a result, on friendly terms with many of the members of the MCC. One of them was P.W. Partridge of that leading law firm of the time, King and Partridge, which had a big say in the affairs of the MCC. And when Buchi Babu and Partridge worked out a formula whereby the MUC could use the pavilion but lunch on Indian food at a separate table, the first MCC-MUC match was played c.1890. Indian cricket was on its way. This fixture was to lead to what was Madras’s ‘Big Match’, the Presidency Match played annually during Pongal between the Presidency Europeans and the Presidency Indians.

The first match almost did not come off, Buchi Babu passing away a few months before the scheduled dates at the end of December. But his lieutenant B. Subramaniam felt the best way to honour Buchi Babu’s memory was to play the match. The European XI was mainly a MCC team, whereas the Indian XI was mainly college players and Subramaniam, P.D. Krishnaswamy and R. Chari from the MUC. The next year (1909), Subramaniam organised the Buchi Babu Memorial tournament which is still with us. The MUC ran the tournament till the first representative organisation for Madras cricket was formed in 1933.

Over the years that followed its founding, the Club began looking at other sports activities. After all, its bye-laws stated that to become a member, you had to participate in some sport or the other. And so the MUCC became the MUC when the membership decided to introduce other sporting activities. A MUC team took part in the first hockey tournament played in Madras, the Madras Hockey Tournament, for which the MCC offered the trophy. The MUC team and a Royal Artillery team from Bangalore were the first to take the field when the tournament started on July 22, 1901. The MUC team included Buchi Babu at full back and its best player, as reported at the time, was centre half S.V. Chetty. But the Indian team was thrashed 15-0 in the match, something which did not happen in later years when M.J. Gopalan began playing for it.

Tennis too was a sport in which the MUC played a leading role in ensuring participation in the game by Indian clubs. This was in 1913, with J.G. Ramaswami Naidu of the Club playing a key part. When in 1917 the South Indian became the MCC Lawn Tennis Tournament, with Indians included in the competition; the MUC was offered two places on the organising committee. And by 1925, the MUC was organising an All-India tournament of its own on its courts.

When the Club started playing football, following the lead of the Madras Gymkhana, the two clubs teamed together with Harry Buck of the YMCA to form the Madras Football Association in 1934. The MUC members behind the formation of the Association were J. Subbuswami, Dr. V. N. C. Rao and ‘Comet’ Ramaswamy. The Association’s offices were at the MUC for many years and its grounds were one of the most popular venues of the game.

Billiards, snooker and bridge were all other games in which MUC players made a mark in the city and, in some, nationally. Today, these three games, tennis (on two courts) and cricket in a lower division, but with no home ground of its own, survive and are supported by an enthusiastic membership. That membership in the year ahead will remember that their Club was the first Indian club to be formed with a total focus on sport. Will the centenary year see the drawing up of plans to bring back those halcyon days when the Club was a leading representative of Indian sport in the city?

source: http://www.TheHindu.com / Home> Arts> History & Culture / by S. Muthiah / Chennai, December 02nd, 2012

The Handwritten Story

Chennai-based The Musalman, considered the only surviving calligraphic newspaper in the world, is being archived in the Netherlands

In a nondescript building on Triplicane High Road, the oldest neighbourhood of Chennai, there’s an unusual newsroom. There is no din of the printing press or the frenetic urgency of “breaking news”. Instead, as the ceiling fan rotates without a noise, a group of four men and women sits on wooden desks with large sheets of paper in front of them. Using calligraphy pens, they carefully script the news of the day in Urdu. This is the office of The Musalman, possibly the only handwritten paper in the world, whose story has been featured in a recent documentary The Musalman: Preservation of a Dream. Not only this, the newspaper has also found a place at Tribal Perspectives in Netherlands, an organisation that archives ancient and rare publications from around the world.

Conceptualised and directed by Delhi-based Ishani K Dutta, the 10-minute film traces the legacy of The Musalman, a name that has survived 85 years of political, social and communal turbulence in India. From Syed Azmathullah who founded it, to Syed Arifullah, his grandson who currently heads it — the newspaper cherishes calligraphy, which has kept the 1927-born establishment together.

“I’ve been thinking of making a film on The Musalman for very long but had no sponsors. Then I approached the Ministry of External Affairs, who gave their support and we set off to make the film in 2010,” says Dutta. The task, however, was made difficult by Arifullah, who is exceedingly reserved and refused to talk to the crew. “But once he opened up, he had a whole treasure to reveal,” she says.

As the documentary concisely breezes through first-hand accounts of people who are part of The Musalman, the legacy is made clear by one visual — that of the dingy 800 sq ft office, which seems frozen in time. “There may be a few changes here or there, but largely, things have remained the same. You’d think you have been transported to 1927,” says Dutta. The film nevertheless sticks to the core of the publication — calligraphy, something they call “the heart of The Musalman”, and the respect and loyalty it has earned them.

The documentary, within three weeks of being uploaded on YouTube, received widespread positive response. “It was all over the social networking websites and many people called us to get in touch with Arifullah. People wanted copies of The Musalman and offer donations,” says Dutta. Arifullah, however, remains nonchalant to all this.

With a meagre salary of Rs 80 per day given to the ‘katibs’ or calligraphers, The Musalman is carefully penned word-by-word by them, most of whom have been working her for over 20 years. Interestingly, the chief reporter belongs to the Hindu community, and has been working there for over 30 years.

The paper gives crisp and ample space to international, national, local as well as sports news. While a blank slot is kept aside everyday for last-minute changes, a segment is also devoted to verses from the Quran. Its masthead, despite the shift in India’s political and communal landscape over the years, did not have to be changed. Explains Dutta, “While talking to them, I got the impression that this is because of the reverence the effort of calligraphy has garnered from loyal readers. Secondly, their content is balanced.”

Earlier this year, Dutta was approached by Tribal Perspectives, to whom she had sent a copy of the publication. It was followed by the organisation recently adding the newspaper to its collection of rare and ancient documents from the world over. There is, however, a faint doubt that laces everyone’s mind. How long will it last? “There is monetary pressure and there are very few loyal patrons left who give advertisements and buy the paper. It’s just the passion and pride of these people that keeps the newspaper going. I don’t think they know it yet but in its own small way, The Musalman has made history,” says Dutta.

source: http://www.indianexpress.com / Home> IE> Story / by Pallavi Pundir / Saturday, December 01st, 2012

Vani Jayaram to get Bharathi Award

Acclaimed playback singer Vani Jayaram at an event in Visakhapatnam.  / Photo: K.R. Deepak / The Hindu 

The Annual Bharathi Festival will be celebrated from December 9 to 11 at Bharathi Memorial, T.P. Koil Street, Triplicane.

Subramanya Bharathi’s songs will be rendered by eminent singers; scholars will give speech; dance, debate, quiz and other programmes will be organised during the festival. The highlight will be ‘Jathi Palakku’ (palanquin procession of Subramanya Bharathi’s idol) on December 11 morning and conferment of Bharathi Award in the evening.

This year’s Bharathi Award will be conferred on Vani Jayaram, playback singer, who has sung in all the 18 languages referred by Bharathi.

The award will be presented by musicologist Dr. M. Balamuralikrishna. Film director Dr. K. Balachander will felicitate Vani Jayaram.

source:  http://www.TheHindu.com / Home> News> Cities> Chennai> Downtown / Chennai, December 01st, 2012

Madras Miscellany: The Battle of the Adyar

A map of the various tanks.

The Battle of the Adyar

What do you think was the most significant battle in modern Indian history (1498-1948), I was recently asked by a researcher who called on me. I had no hesitation in replying, “The Battle of the Adyar River.” Much to her surprise.

The battle was a consequence of Fort St. George surrendering to the French early in October 1746. On October 15, the Nawab of Arcot — whom the English had supported — sent troops under the command of his son, Mahfuz Khan, to invest Fort St. George and ask the French to return the settlement to the English. Instead, the French broke out of the fort and dispersed the Nawab’s troops. Mahfuz Khan, reinforcing his army, it is said, to about 10,000 men, then moved south, seized San Thomé and formed a battle line on the north bank of the Adyar River on October 22 to prevent the French moving up reinforcements from Pondicherry. Two hundred French and French-trained Indian troops led by a Swiss mercenary, Captain Paradis, force marched from Pondicherry on the same day, crossed Quibble Island and took positions on the south bank of the Adyar River where they came under ineffective artillery fire from Mahfuz Khan’s forces.

On the 24th, Paradis decided to ford the river with his 200 men after he heard that a similar sized force led by de la Tour was on its way from Fort St. George to attack the rear of Mahfuz Khan’s line. But in the event, de la Tour arrived too late to support Paradis whose troops, with disciplined firing and then charging with bayonets, broke the Nawab’s line. Mahfuz Khan’s troops fled and, so, the Battle of the Adyar River, which began on the morning of October 24, 1746, ended by that evening, with the French occupation of Fort St. George consolidated.

In terms of later battles and today’s ones, the Battle of the Adyar River was not much of a clash of arms. But it proved one thing. That disciplined European troops and Indian sipahis trained in the European manner of soldiering could rout thousands of Indian soldiers with little training and less discipline. And that lesson was not lost on the English who, the same year, in their last bolt-hole on the Coromandel, Fort St. David, Cuddalore, began raising and training what became the Madras Regiment that was to be the nucleus of the Indian Army of today that grew from those beginnings. It is with that Army that the British created an India that has grown into the modern nation of today. Triggering English thought to create such a military force that was to spearhead the drive for Empire and the creation of modern India is the significance of that battle that many treat just as a footnote to history. From my point of view, it was a pivotal point in history.

Where are the tanks?

Not long ago, about a 100 years ago, Madras had within its municipal limits something like 300 water bodies. Today, there are hardly a couple of dozen. The rest have all been built over. And that includes three of its biggest ones: the Long Tank, the Vyasarpadi Tank and the Spur Tank. And lest we blame the authorities of post-Independence Madras, we should recall that the process of replacing precious water with brick and mortar began around 1920.

The Long Tank was a boomerang-shaped one, about 6 km in length from the southernmost tip of what was called the Mylapore Tank to the westernmost tip of the tank it flowed into, the Nungambakkam Tank. The Mylapore Tank stretch was one of the early venues (1870s-90s) of the Madras Boat Club regattas, having as it did “a fine expanse of water from the Cathedral Corner (where Gemini Studios used to be) to Sydapet…”. Blacker’s Garden, near what is now called Cathedral Garden Road (and then occupied by successive high Government officials) was where the boathouse was and where the Governor, his Lady and their entourage, together with his Band and other spectators (‘Europeans Only’) gathered to watch the finishes.

When there was a debate in the 1890s on whether this stretch or the Adyar (which is now the Club’s home course) was preferable, the supporters of the Long Tank pointed out, “Although the glare of the setting sun off the broad stretch of water was somewhat trying, a good view of the whole course could be had, which is not obtainable on the Adyar. The Long Tank provides a long broad stretch of deep water, the course being straight from start to finish, so that, for racing purposes, it is infinitely preferable to the river which winds about a great deal and presents at low tide, a shallow and uneven course almost throughout.” What a body of water to lose!

But lose it we did when, in 1923, the Town Planners decided that growing Madras needed more land for housing and proposed the Mambalam Housing Scheme for whose 1600 acres it became necessary to breach the Long Tank and let its waters into the Adyar. The breaching was done in 1930, and the development of Theogaraya Nagar (T’Nagar) began. Then, in 1941, the ‘Lake Area’ was developed on part of the Nungambakkam Tank and was followed by 54 acres being given for the campus of Loyola College. The last vestiges of the tank were handed over, in 1974, for the Valluvar Kottam complex.

The Vyasarpadi Tank, into which the water from 28 tanks once flowed, gradually gave way to post-Independence development and finally vanished under the weight of the Tamil Nadu Housing Board’s Vyasarpadi Neighbourhood Scheme and the Vyasarpadi Industrial Estate in the 1960s and 70s. And the Spur Tank all but vanished from around the 1920s as buildings came up for what is now the Kilpauk General Hospital. All that’s left of it is what is called Chetpet Lake, which is dry most of the time.

When the postman knocked…

Aruna Gill, in a response from Princeton on my item this past week on her book The Indus Intercept, writes that she has been neither to Pakistan nor its troubled Baluchistan province. “I have to thank,” she explains, “Google Maps for allowing me to zoom in on the terrain and the streets of Quetta for a bird’ eye view and a street’ eye view.” She then tells me, referring to her interest in the Indus script, that while her husband Gyan Prakash, who teaches at Princeton, is focussed on modern Indian history, her interest has always been “in the ancient worlds.” She adds, “Reading the history of ancient cultures humbles me — that they could know and think and do things with such limited resources. Ancient scripts are just one manifestation of this, while we take the written word so much for granted.”

* Additional information on the brothers Vembakkam Sadagopacharlu and Rajagopalacharlu (Miscellany, November 5) has been sent to me by reader V.C. Srikumar, the Editor of the Law Weekly.He tells me that the journal was founded in 1914 by V.C. Seshachariar, an advocate, the son of Rajagopalacharlu, whose elder son was V.C. Desikachari, Chief Judge of the Madras Small Causes Court. Referring to the appointment of Sadagopacharlu to the Madras Legislative Assembly, the first Indian to be so appointed, reader Srikumar points out that he was one of the three non-official members nominated in 1862 by Governor Sir William Dennison under the then introduced Indian Councils Act, 1861. The other two were Robert Campbell, chairman of the Madras Chamber of Commerce, and an earlier chairman of the Chamber, William R. Arbuthnot. The three first sat in Council on January 22, 1862.

Commending the choice of a person it later described as “a native pleader in an East India Company’s Court,” The Hindu stated, “He is a man of extensive and varied information regarding the country and its wants; is a sound practical lawyer; has come in contact with almost all sections of the population of the Southern Districts of the Presidency; is highly esteemed for his popular sympathies… and (he) possesses in abundance the essential requisites of a public man, to wit, sound judgment and tact.” Several acres of his property in Alamelmangapuram, Venkatesa Agraharam and what is now Raja Annamalaipuram were, on his death, endowed by his wife Echamma to the Sri Vedantha Desikar Temple, Mylapore, which has given much of the acreage on 99-year leases for housing development.

* Library Week, which was celebrated throughout the country from November 14 to 20, was, I am reminded by a reader, the outcome of the first All-India Public Library Conference which was held at the Gokhale Hall on November 14, 1919. Another significant outcome of the Conference was the founding on the same day of the All India Public Library Association. This was five years before S.R. Ranganathan, the ‘Father of Library Science’, entered the field. I wonder, then, who was the driving force in Madras who initiated the Conference and headed its Organising Committee. Someone indeed to be remembered.

source: http://www.TheHindu.com / Home> News> Cities> Chennai> Madras Miscellany> Arts>  History & Culture / by S. Muthiah / November 25th, 2012

Malaysian Tamils urged not to lose identity

all ears:Participants at the conference on ‘Malaysian Tamil Literature: yesterday and today’ in Thanjavur on Monday.Photo:B. Velankanni Raj.

all ears: Participants at the conference on ‘Malaysian Tamil Literature: yesterday and today’ in Thanjavur on Monday. / Photo:B. Velankanni Raj. / The Hindu

Literature is not leisure-time writing. It represents a country’s culture, language, and race, said P.Rajendran, president, Malaysian Tamil Writers Association, here on Monday.

Speaking at the international conference on ‘Malaysian Tamil Literature: yesterday and today’ organised by the Department of Tamil Studies in Foreign Countries at Tamil University, Mr.Rajendran said that literature reflects the life and time of a community. “Through Tamil literature , we learn the valour, love, and dignity of the Tamil community,” he said.

The Tamil literary tradition in Malaysia is 150 years old. In the first 100 years, the Tamil literary works that originated in Malaysia talked about places such as Thanjavur, Salem, and Tiruvannamalai and lives of the people in those areas. Since1950, there was a renaissance and stories and writings reflected the life of Malaysian Tamils.

“I’m delighted to know that 15 to 20 students of Tamil University have taken up research on Malaysian Tamil literature. There is no point in us talking about our literature. You should study it critically and talk about it . Likewise, we should speak the fame of your literature,” Mr.Rajendran said.

He also called for making use of the memorandum of understanding signed between Tamil writers of Malaysia and Tamil University for exchange visits by students and teachers . “It has not gained momentum. Only one such bilateral visit has taken place; there should be more,” he said.

Malaysian Tamil Writers Association has been doing a lot for promoting Tamil literature in Malaysia. Annual conferences are conducted on short stories and poems and awards are given for best books. “We would like to meet the Chief Minister, when we visit Chennai next week”, Mr.Rajenderan said. M.Thirumalai, Vice Chancellor, Tamil University, appealed to the Malaysian Tamils to not lose their identity .

He also said that Tamil University has signed a MoU with Colon University of Germany for joint research and exchange visits by students and teachers. “We have also sent a proposal to UGC for starting a PG diploma in Diasporic Studies.”

While presenting books to the 35-member Malaysian delegation led by Rajendran , Mr.Thirumalai said that Malaysian youth should be introduced to modern Tamil literature. K.S.Senbagavalli, joint secretary, Malaysian Tamil Writers Association, spoke .

V.Rajeswari, Malaysian Tamil writer, Gunanathan Arumugam, secretary, Malaysian Tamil Writers Association, A.Karthikeyan, Head of Department of Tamil Studies in Foreign Countries, Tamil University, and S.Udhayasuriyan, conference co-ordinator, also spoke.

source: http://www.TheHindu.com  / Home> National> TamilNadu / by Special Correspondent / Thanjavur, November 27th, 2012

Tiger reserve reopened

(File Photo),  Deccan Chronicle

The Anamalai Tiger Rese­r­­ve (ATR), which had been closed for the last four mo­nths, was thrown open for tourists on Tuesday.

However, there were ha­r­dly any visitors during the day. “The public wouldn’t ha­ve known about the re­serve opening; however we expect tourists to come for sight-seeing from this weekend,” said Pollachi District Forest Officer Mr Velusamy.

The tourist lodging facilities comprising rooms wi­th a total of 120 beds had been kept ready by the Forest department to acc­o­mmodate tourists. Howev­er, the tourists will not be able to go on elephant safaris at ATR as the animals were given rest in view of the rejuvenation camp that begun on Tues­day.

“The elephant safari has been suspended for 48 days from Tuesday to provide complete rest to the animals. Normally three male elephants are engaged for carrying tourists in the forest for around two kilometres,” added Mr Velu­sa­my.

The rejuvenation camp for 18 forest elephants has started in ATR a day after the beginning of a similar camp for temple elephants at Mettupalayam. For the forest elephants, the diet and refresher activities will be the same as that of temple elephants.

With the reopening of ATR, several tourist pla­ces like Top Slip, Monkey Falls, Chinna Kallar Falls, Nallamudi View Point, Manampalli and Amara­va­thi Crocodile Farm will see tourists.

The ATR had been closed since July 25 following an interim ban by the Supreme Court on all tourist activities in core tiger reserves across the country.

Though as per the prescribed Supreme Court guidelines, tourism activities can be allowed within the stipulated 20 per cent of the core area, the Forest department has decided to allow tourism in only 6.1 per cent of the core area.

“Tourism will be allowed in the same areas where it was permitted before the implementation of the ban,” said Mr Rajiv Srivastava, Field Director of ATR.

source: http://www.DeccanChronicle.com / Home> Channels> Cities> Regions> Coimbatore / by V. Ashok, DC, Coimbatore / November 28th, 2012

Chenda beats into thavil-nadaswaram market in Tamil Nadu

With the mushrooming of  ‘chenda melam’  groups from neighbouring Kerala, the nadaswaram and thavil players in Thanjavur are getting a raw deal these days. Many temples where nadaswaram and thavil used to be played regularly, have now started hiring these chenda  melam groups for functions and rituals. At many functions including weddings, thavil is overtaken by chenda. Even though culture enthusiasts don’t make a comparison between traditional musical instruments, what worries them is the attitude shown towards the traditional folk instruments of Tamil Nadu.

“The chenda melam groups from Kerala are settled in many big towns in southern Tamil Nadu. There are many such groups doing aggressive business in Thanjavur. Many thavil and nadaswaram players are jobless due to this. If things go like this, our traditional music instruments like thavil and nadaswaram will soon become museum pieces,” says Sada Sivakumar, a social and cultural activist in Thanjavur.

Senior nadaswaram artist Kalaimamani Pattukottai Veerasamy says he is disappointed with the trend. “I am not against any musical instruments. I hate the attitude of the people towards our traditional musical instruments. We should never forget our thavil and nadaswaram. It’s our tradition,” he said.

Being a barrel-shaped percussion instrument, thavil was used widely in folk and carnatic music, accompanied by nadaswaram. Both thavil and nadaswaram were essential during marriages. “We have great thavil and nadaswaram players in Thanjavur. But they are not able to find a stage or function these days. The main reason is that they don’t have groups. So chanda melam groups from other places make use of this,” says Sada Sivakumar, adding that there are at least 20 such groups in Thanjavur.

Even though people don’t take this as a serious issue, many elders believe that soon the chenda melam groups would dominate the thavil-nadaswaram players. “I don’t think these groups have dominated our traditional thavil-nagaswaram players. Our artists are still active. But what worries me is the popularity of the chenda melam groups. They are now seen at every function and rituals,” said S Arumugham, a retired history professor in Pattukottai.

The ready-made style of functioning, according to him, is the main reason why chenda melam groups are being invited to more and more functions. “They are easily accessible unlike our artists. They work on a fast and ready-made style. Today, people want such ‘fast’ artists only. It’s our problem. We should not forget our traditional art,” said Arumugham.

source: http://www.timesofindia.indiatimes.com / Home> City> Madurai / by M T Saju, TNN / November 27th, 2012

Snack break on ECR

New Town — Coffee House. / The Hindu

The New Town — Coffee House scores with a variety of Malaysian street food and Continental fare

There are two things that most of us like doing while driving down the East Coast Road. One is wading into the warm frothy waters of the Bay of Bengal and two, snacking on what the numerous restaurants along the road have to offer. And thankfully, there are quite a few mushrooming en route giving us enough to choose from. The New Town — Coffee House is the fairly new kid on the block. Located opposite VGP Golden Beach, this cafe doesn’t give you the view of the sea, but the pretty wooden interiors with tempting photographs of food, and the dreamy al fresco seating area ensure you don’t miss the azure blue sea.

New Town follows a concept that originated in Malaysia. It’s street food that’s been popularised by the Tamil Muslims who sold them at their food stalls commonly known as mamak stalls.

The menu here therefore largely consists of popular Malaysian street food, Continental cuisine and a fair bit of Indian food too. Nasi goreng, nasi lemak, kaya toast, bangers and mash, kathi rolls, steaks, crispy noodles, biriyani, bruschetta, pasta … The accompanying friend who is on a gluten-free diet makes a big production of the decision making process. “No wraps, no sandwiches, no pasta…,” she lists out a whole lot of food items that’s off her diet list. As a result we decide… un-decide… ask the waiter to come back in 10 minutes and finally make our decision. Tenderloin teriyaki skewers and nasi lemak for her. Murtabak and cheese-stuffed drumstick for me.

The teriyaki skewer has succulent chunks of lamb wedged between capsicum and tomato. This has the potential to taste better. No wonder the friend generously pushes the plate towards me and buries herself into the nasi lemak that comes as a full plate of steamed rice, a piece of fried chicken, chicken gravy and a boiled egg. It’s among the most authentic lemak you will find in Chennai.

New Town Cafe is laidback; so is the service. But then nobody seems to be in a hurry. The neighbouring tables comprising a sullen couple, who don’t talk to each other but keep eating off each others’ plates, and a gang of college kids have been here for a while now and looks like they plan to stay longer.

It takes a while before the rest of our orders get to our table. The mughlai-styled drumstick is the perfect fusion of cheese and keema. Deboned tandoori chicken leg stuffed with mildly flavoured minced chicken, nuts and cheese is served on a bed of badam and cream-emulsified sauce. Easy to cut, great to eat; need I say more. The murtabak, which is basically parantha stuffed with minced chicken and carrots, is quite authentic too. Except that there’s an excess of grated carrot and we could barely taste the meat. Maybe all the meat we ordered had emptied out their cold cuts freezer.

The food is rather filling and the quantity is comfortable for two. We technically shouldn’t even be thinking of desserts. But when there are wafts of roti bom in the air you just have to give in. Strips of fluffy maida parota doused in condensed milk and honey is a challenge that one with a sweet tooth can barely resist. The dieting friend shows steely resolve… for a couple of minutes, and gives in. And, doesn’t stop with just one!

On a scale of 10, New Town scores a well-deserved eight. Their catch phrase says ‘The destination is truly worth the journey’, and we couldn’t agree more.

(New Town — Coffee House is located at No. 363, East Coast Road, Injambakkam. For details, call 91760-66866)

source: http://www.TheHindu.com  / Home> Life & Style> MetroPlus / by Priyadarshini Paitandy / November 25th, 2012

Maths workshop, talent contest, quiz

In connection with the 124 birth anniversary of Nobel Laureate Sir. C.V. Raman, birth anniversary of Indian Scientist Nobel Laureate Sir. C.V. Raman and National Science Day which falls on December 22, Nehru Children’s Cultural Association is organising a mathematics workshop from to 9th December 4 to 9 for school students. Mathematics talent contest and mathematics quiz competition will form a part of the programme only for those attending the workshop.

Winners will receive certificates and prizes during Ramanujan’s birthday celebrations, which will be held on and 23 December 22 and 23 at SASTRA University, Thanjavur and Kumbakonam. Dr. K. Kannan, Professor and Head of the Department of Mathematics and Dr. R. Srikanth, Professor of Mathematics, SASTRA University, Thanjavur, will conduct the mathematics workshop.

They will give lecture on innovative ideas in maths which will cover elementary number theory, theory of numbers, music in maths, elementary mathematical modelling, pattern recognition, solve Olympiad problems and competitive examination problems.

Admission would be on first-come-first-servebasis.

Interested students can contact M.R. Sugumaran, president, Nehru Children’s Cultural Association, at 81444 16484 on or before November 30.

Classes : Monday to Friday :4.30 a.m to 6.30 p.m Saturday : 2 p.m to 6.15 p.m Sunday : 8.30 a.m to 12.45 p.m

01.12.2012 : Saturday : Inauguration : 4.30 p.m to 6.30 p.m

09.12.2012 :Sunday : Valedictory : 9 a.m to 1.15 p.m

Function : 22 & 23 December : SASTRA University, Thanjavur & Kumbakonam

source: http://www.thehindu.com / Home> News> Cities> Chennai / November 25th, 2012