Category Archives: Arts, Culture & Entertainment

Looking beyond the label

Bonding over sustainable fashion & conscious living, three feisty women set up Wildflower — a brand that resonates with their cause.

(L to R) Anjula Giriram, Sangeetha Arul and Shibi Kumaramangalam seker.archanaa@gmail.com ARCHANAA SEKER The writer is a city-based activist, inyour- face feminist and a media glutton Photo: R Satish Babu
(L to R) Anjula Giriram, Sangeetha Arul and Shibi Kumaramangalam seker.archanaa@gmail.com ARCHANAA SEKER The writer is a city-based activist, inyour- face feminist and a media glutton Photo: R Satish Babu

Chennai :

Friends Sangeetha Arul, Anjula Giriam and Shibi Kumaramangalam had a vision — to organise pop-up events that were different from the rest. So, the trio established Wildflower in 2018, a platform that promotes sustainable and ecofriendly brands from all over India. “We believe that conscious shopping decisions can make a positive impact on the environment, society and lifestyle,” share the trio. In a freewheeling chat with CE, they discuss their journey, life lessons, philosophies and more. Excerpts follow.

Tell us about your journey in event management?

Sangeetha: I was in the communication field and coordinating has been one of my strong skills. When I was in the US from 1999 to 2012, I used to help around with Tamil Sangam, a group where all the US-based Tamil people would gather and conduct events. I realised that management was one of my strengths and decided to put it to good use. Anjula and I went to college together, but were doing different things. We met after a long break in 2012 and decided to start our own company.

Shibi: I’m a lawyer and I predominantly work in the field of women’s rights, sexual harassment at the workplace. But I’ve always been interested in sustainable fashion and conscious living. When I heard about Sangeetha and Anjula’s business idea, I was impressed with the way they had put everything together — promoting conscious consumption. I decided to collaborate with them for the pop-up, which aimed to promote awareness about ethical fashion.

How do you choose the brands you work with?

Shibi: When it comes to choosing brands, we ensure we invite brands which promote sustainable living and fashion. For instance, Last Forest is a brand that we support. They come from Kotagiri and work with the Toda tribe. Apart from ensuring that a brand is ethical, we also focus on the procurement process, that is sourcing and packaging is done in an eco-friendly way.

We follow a strict no-plastic policy. We try to promote the concept of ‘less waste’ by creating awareness on reuse, repurpose and recycle. We want to show people that being environmentally friendly and conscious is not unaffordable. Working with local brands not only supports local entrepreneurs, but it also enables the customers to develop a good rapport and relationship with them.

What is the first step towards a sustainable lifestyle?

Sangeetha: We send out around 80,000 bags of garbage every day, just think about the volume of consumption and wastage. I believe that rather than just a handful of people working towards a sustainable and eco-friendly lifestyle, thousands of people doing it imperfectly is fine and that makes a huge difference. We need to encourage people to take small steps…it will go a long way. Shibi: I’m very passionate about sustainable fashion and conscious living. This is my first venture with Wildflower, we organise events that promote conscious consumption. It is not about making profit, but we want to introduce shoppers to a sustainable principle.

What is your most memorable event of all the events you have organised so far?

Sangeetha: The first event which was held in March 24, 2018 at Hiranandani called Spring Fling Fashion was quite memorable. We had to start from scratch — right from finding vendors, talking, convincing and sourcing from them, everything had to be done. It was trial and error. Another challenge was to get in touch with these sustainable brands from all over India

. People were apprehensive. We learned a lot from the event. Though it was challenging, it was a learning curve and served as a stepping stone for us to do bigger and better. Our dream is to extend our help to all the start-ups and budding women entrepreneurs. We want to help them with marketing and communication services. Anjula: We had just started and everything was new to us, but it was nice to see people turn up from different parts of the country to Chennai. We received excellent response for our first event.

Tell us about a typical day.

Sangeetha: My day starts at 6 am. As soon as I send my children to school, I start preparing for my meetings, as per the day’s schedule. I usually have phone calls lined up with vendors and clients. By the end of the day, I am exhausted.

Event management is challenging, but I love my job! Shibi: I send my six-year-old daughter to school, go on with my day job, meet friends in the evening and hang out with them. I feel women are inherently very good multi-taskers. Sometimes I also help to rehabilitate abandoned pets. Anjula: I’m a part-time home baker. First thing is to manage the house and my child. I read when I’m not baking or busy meeting people for the events.

What are your life philosophies?

Shibi: Surround yourself with positive people and positive energy. Do one good thing and try to give back. Life is short, eat the cake, drink wine, buy the shoes. Sangeetha: I try to live a balanced life, hoping to make a small positive impact on the environment and society. Anjula: Whatever life throws at you, take it slow.

What do you love about Chennai?

Sangeetha: A big chunk of my life was in the US. But currently, Chennai has become a place where I can do what I love while being surrounded by friends and families. Shibi: I’ve lived away from the city most of the time and there is no place like home. With my regular meet-ups with my friends at Chamiers and exploring new places — Chennai offers a beautiful experience.

Anjula: I grew up in a conservative environment and after moving to Chennai from Sivakasi after my marraige, I was able to be myself without people judging me. I meet friends and feel quite lucky. Not everybody gets to do that.

How do you recharge your energy at the end of the day?

Sangeetha: When everybody goes to bed, I ensure I spend time with myself. The peace helps me get through the next day. Shibi: Socialising and Netflix Anjula: I read books.

What are the life lessons you have learned through your work experience?

Sangeetha: We couldn’t say no to people before and now we know where to draw a line. I learned to be tough and sure of what we want from others and their expectations. You can’t please everyone. Anjula: I learned new skills from the most unlikely places and people. I am not a social person, but I realised I could be if I wanted to. From printing to creating promos, we learned the nuances of the business.

What plans do you have for Wildflower?

Sangeetha: Currently, we are keeping it small and taking forward all the lessons we have learned more sustainably. It’s about quality and not quantity for us. We want to make a difference. Shibi: We don’t want people to just buy, but also know about the products and become ethical in consumption. We want to provide our customers with affordable cotton dresses which are not mass-produced…skincare brands which recycle ‘dabbas’, cloth pads.

source: http://www.newindianexpress.com / The New Indian Express / Home> Cities> Chennai / by Rinreichui Kashung / Express News Service / August 01st, 2019

How the legacy of a colonial hunter has inspired conservation efforts in the forests of south India

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  • Hosur-based Kenneth Anderson Nature Society (KANS) has been demanding that the Melagiri region in Tamil Nadu be declared a wildlife sanctuary named after Anderson.
  • Considered to be a pioneer of wildlife conservation, Anderson authored eight books and close to 60 stories about his hunting exploits.
  • While they are mostly about his encounters in the wild, the books also discuss the importance of conservation and upholding the rights of the forest dwelling communities.
  • According to the KANS, Melagiri is under threat from deforestation, irresponsible tourism and unplanned development.

Ironical as it may sound, the legacy of an India-born British hunter from India’s colonial past is now living on in the conservation efforts of a nature society, founded in his memory in Hosur in Krishnagiri district of Tamil Nadu, in 2008. Known as south India’s Jim Corbett, Kenneth Anderson studied and worked in Bengaluru (Bangalore at the time) in the 1920s. After 15 years in the posts and telegraph department, he took up his last job at the British Aircraft Factory in Bengaluru (Hindustan Aeronautics Limited) as a factory manager. He was also an avid sport hunter, interested especially in big game.

But it is as a writer that he is remembered most widely today. Anderson authored several books based on his hunting exploits in the jungles of south India and is considered by many as among the first wildlife conservationists in the region.

A view of Jawlagiri made famous by Kenneth Anderson in his writings. / Photo by Peppin Jerold.
A view of Jawlagiri made famous by Kenneth Anderson in his writings. / Photo by Peppin Jerold.

In fact, the Hosur-based Kenneth Anderson Nature Society (KANS) has been demanding that the Melagiri region in Tamil Nadu be declared a wildlife sanctuary named after Anderson.

According to S.R. Sanjeev Kumar, vice-president of KANS, this would invite global attention to conservation efforts in the region. The society works extensively to reduce man-animal conflict in Aiyur, Jawlagiri and Anchetty– all forest areas in Tamil Nadu that have repeatedly found mention in Anderson’s books.

With Karnataka’s Bannerghatta wildlife sanctuary to its north and Cauvery Wildlife Sanctuary of Tamil Nadu to the south, Melagiri has two major elephant corridors that account for the huge numbers of the pachyderms in the area. The tiger reserves of B.R. Hills, Sathyamangalam and Male Mahadeeswaran Hills are also in the vicinity.

The biggest attraction of Melagiri is the Hogenakkal falls of the Cauvery river. Thousands visit the falls regularly to indulge in coracle rides and other river activities like river rafting, walks and medicinal baths. Trekking up the Melagiri hills, to enjoy the view of the Eastern and Western Ghats merging, is also popular among visitors.

Tourists paddling coracles at the Hoggenakkal falls. Photo by K.A. Shaji.
Tourists paddling coracles at the Hoggenakkal falls. Photo by K.A. Shaji.

Wildlife conservation in Anderson’s writing 

Anderson authored eight books and close to 60 stories about his hunting exploits. His first, Nine man-eaters and one rogue, first published by London-based George Allen and Unwin in 1954 was about the reasons behind tigers, leopards and panthers turning man-eaters and elephants turning rogue. He starts with a tiger that turned man-eater in Jowlagiri in Melegiri and a panther in Gumalapur, which caused 42 human deaths.

While all his books narrate his encounters in the wild, they highlight the importance of conservation and upholding the rights of forest-dwelling communities as well.

“Although he contributed immensely to the literary genre known as shikar writing in India, Kenneth Anderson remained relatively obscure. He never got the recognition Jim Corbett had won – probably because he was writing in Corbett’s powerful narrative shadow,” said Peppin Jerold, a wildlife enthusiast and an avid Kenneth Anderson fan.

Jerold is an engineer based in Bengaluru, who moderates a popular social media group titled Kenneth Anderson with 18,000 members who are avid readers of Anderson classics.

Among Jerold’s favourite Anderson stories is the one about Muniappa, a wily shikar guide well-known in the Melagiri division of forests spread across Krishnagiri and Dharmapuri districts. Muniappa once approached Anderson for help to kill a man-eater tiger that, according to him, was creating terror in Jawlagiri. Sceptical about Muniappa’s intentions, Anderson first undertook a fact-checking mission. Sure enough, he discovered that the alleged culprit was a panther with no inclination to kill human beings. Further investigation revealed that Muniappa had promised to make a gift of the animal’s hide to some senior forest officials.

The Jawlagiri forest bungalow where Anderson has stayed. / Photo by Peppin Jerold.
The Jawlagiri forest bungalow where Anderson has stayed. / Photo by Peppin Jerold.

“The ecological horrors of hunting were less those days,” said Laxmeesha Acharya, president, KANS. “People like Anderson targeted only man-eaters and spared all other animals. They remained proven conservationists, who were extremely sensitive towards the fragile ecology of the region,” he added.

“Anderson hunted man-eaters mainly on the request of government and forest officials of that time in response to the fear that gripped local affected communities. But his stories are full of concern for the depleting animal population and the flora around. Going by the books, he had a keen sense of natural history and appreciation of the wild. He was also an expert on animal behaviour,’’ said R. Mohan Raj, Coimbatore-based conservationist and secretary of Tamil Nadu Green Movement.

Interestingly, a mango tree planted by Donald, Anderson’s son and a hunter himself, still provides shade to Muniappa’s grave, located in the Jawlagiri forest. Anderson succumbed to cancer in 1974.

What ails Anderson’s haven

Once infamous for the presence of number of man-eating tigers, Melagiri is the setting for 20 of Anderson’s most famous hunting tales. With more and more young fans taking to his writing, thanks to accessibility to his works on the Internet, Melagiri has been put on the global map. Its proximity to Bengaluru has also made it easier for wildlife enthusiasts eager to retrace Anderson’s jungle trysts in the region.

Many wildlife activists, say KANS members, have been inspired by the vivid tales of Anderson to pitch in with forest department officials in the region to conduct wildlife censuses, dig elephant-proof trenches and help forest-dwelling communities to live safely and in harmony with nature.

“People might have objections in calling a hunter a conservationist. But we have no information that Kenneth Anderson killed animals other than man-eaters and that too at the behest of local governments and forest officials. On the other hand, his books are still prompting youngsters to engage in conservation activities,” said Piyush Manish, a Salem-based green activist.

However, the region has been beset with problems. Deforestation and consequent soil erosion have been rampant.

“Large scale deforestation by the timber lobby and land mafias is killing a major portion of the Melagiri forests, especially on the banks of the Cauvery. Though little known outside Tamil Nadu and Karnataka, indiscriminate tourism is becoming a growing threat to wildlife. Wildlife offences are high in the region as violators can easily escape to nearby Karnataka by swimming across the river,” said Sanjeev Kumar, adding, “illegal laterite quarries are another cause for concern.”

“Located close to Karnataka and on the banks of the inter-state river Cauvery, Melagiri forests are now under stress mainly because of interference by timber lobby and land mafias,” said K.J. Sreekumar, an organic farmer and environmental activist based at Dhenkanikottai on the outskirts of Melagiri. “Wildlife offenders are managing easy escape by swimming across the river and running to the Karnataka region on the other side. Unregulated tourism in the form of large scale trekking and camping within the forests also posing as a big challenge to conservation,” he pointed out.

Tourism on the Kaveri has had an impact on the Melagiri forests. Photo by K.A. Shaji.
Tourism on the Kaveri has had an impact on the Melagiri forests. Photo by K.A. Shaji.

Native vegetation has also taken a hit with the unchecked growth of invasive lantana shrubs that are affecting the growth of other flora that herbivores like deer and elephants feed on.

It hasn’t helped either that Melagiri has been largely overlooked on the conservation map, and received very little media attention.

According to KANS president Acharya, Melagiri is a biodiversity hotspot that has fallen prey to unplanned development that has resulted in the unprecedented loss of wildlife. KANS has identified the number of hit-and-run deaths in the national highway stretch between Anekkal and Dharmapuri as the most alarming. The organisation has been conducting roadkill awareness programmes for the general public regularly.

“There is a forest village called Belekare located hardly 35 kilometres from Bengaluru’s Electronic City. But reaching there involves a huge risk because of the lack of any motorable road and presence of wild elephants,” said Acharya. The villagers were accused of helping poachers and the timber lobby. KANS has been working with the forest department to involve the 40 families in the village in conservation activities, said Acharya.

Fishing and cattle-grazing are now threatening the existence of smooth-coated otters in the region. An Otter Conservation Project in the Biligundlu Reserve Forest along the banks of the Cauvery is another KANS initiative. Conservation efforts are also on to protect four-horned antelopes and grizzled giant squirrels.

According to Acharya, most KANS members started engaging in conservation activities inspired by Anderson’s writings. Despite the challenges, the support that they have managed to garner through social media is driving their efforts. Locals in the area feel that an interpretation centre and museum on Kenneth Anderson, ‘the hunter, nature enthusiast and chronicler of wildlife’ close to the waterfalls can make create more awareness.

“Kenneth Anderson used to say that jungle was his birthplace and heaven. He had also wanted to make it his resting place.  So, it is only fitting that this area be declared a wildlife sanctuary and named after him in order to inspire more people to join hands to save his beloved Melagiri,” concluded Peppin.

Article published by 

source: http://www.india.mongabay.com / Mongabay / Home / by K. A. Shaji / July 17th, 2019

Yamaha opens musical instruments factory in Chennai

Yamaha Corporation of Japan opened its factory in Kanchipuram for musical instruments under the Make in India initiative.

The factory has been launched in Kanchipuram
The factory has been launched in Kanchipuram

Chennai :

Yamaha Corporation of Japan opened its factory in Kanchipuram for musical instruments under the Make in India initiative. Takashi Haga, MD, Yamaha Music India, said that Yamaha Music India plant is fully geared up to produce the full line of Yamaha Musical Instruments.

Stating that Yamaha has designed and created the most versatile and customised portable keyboard for Indian customers, he said the new keyboard will address the requirement of all customers. Under the Chennai factory project, the musical instruments will be manufactured in India and sold in India.

By 2022, Yamaha has committed an investment of Rs 500 crore which will generate jobs to 800 people. Under phase-I, the company will manufacture acoustic guitars and portable keyboards which will be later diversified to portable audio speaker from 2020.

Yamaha is planning to tap education institutes in India which stress on the importance of learning music. The products are expected to be unique, efficient and customised to suit the needs of music teachers, students, and professionals.

World over the music industry is on a growth trajectory. Thus, Yamaha Music India will not only produce its equipment for the Indian market but make India its major export hub. The company plans to upgrade its factory as and when required depending on the growing demand.

source: http://www.newindianexpress.com / The New Indian Express / Home> Cities> Chennai / by Express News Service / May 28th, 2019

TV Sankara Narayanan receives Nadhasudhamani Award

Padma Bhushan awardee T V Sankara Narayanan (second from right)
Padma Bhushan awardee T V Sankara Narayanan (second from right)

Padma Bhushan awardee and Sangita Kalanidhi TV Sankara Narayanan was conferred with the Nadhasudhamani award by Azhagiya Manavala Sampath Kumara Ramanuja Jeeyar Swamigal as a part of Korattur Cultural Academy’s eighth-anniversary celebrations on Tuesday at Dr Nalli Kuppuswamy Vivekananda Vidyalaya Junior College.

SV Raman, president, Korattur Cultural Academy welcomed the gathering. In his address, he said, “During the initial stages, we used to call up artistes and request them to perform at our academy. However, the standard has improved to a level where applications from the artistes are pouring in now.”
The title was conferred upon Sankara Narayanan as an appreciation for being a performer, creator, and mentor in the music community. This was followed by a speech from Jeeyar Swamigal.

T Chakravarthy, vice president, Vivekananda Educational Society presided as the guest of honour. Chakravarthy’s inaugural address was followed by Sankara Narayanan’s acceptance speech. “I am honoured to receive the award from Jeeyar Swamigal. Music has kept me close to god and I am glad to be able to sing about Govinda. Today being my mother’s birth anniversary, I dedicate this award to my parents,” said Naraynan. “Korattur Cultural Academy has made it possible to provide a platform for performing arts and cultural activities in an industrial area for the past eight years,” he added.
The award ceremony was followed by a dance drama — Choodi Kodutha Nachiyar by students of Bharatha Natyalaya, Anna Nagar.

Embar T Kannan, secretary, Korattur Cultural Academy was also present during the event.

source: http://www.newindianexpress.com / The New Indian Express / Home> Cities> Chennai / by Deepthi Parthasarathy /  May 16th, 2019

Preserved in parchement

Connemara Library opens its older section, which stores rare books, to book lovers in the city once a year during World Book Day week.

Visitors glance through rare books put on display at Connemara Public Library
Visitors glance through rare books put on display at Connemara Public Library

Chennai :

It’s that time of the year when the older section of Connemara Public Library opens its door for the public — starting from World Book Day on April 23 until today. The searing heat does not stop people from dropping in and catching a glimpse of the preserved legacy, their rare book collection and the stunning architecture. Currently, the old section is used for storing rare books. It’s restricted to public but books can be accessed by scholars, researchers or students on request and can be read from the reception room.

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There’s a red carpet path connecting the newer section to the older one. Ornate teak furniture, stained glass windows, vibrant patterns on the ceiling, arches engraved with sculptures and stacks of age-old books add to its beauty. The library was formally opened in 1896 to the south of Madras Museum, culminating in the museum theatre at the head of the campus. It is said to be named after Lord Baron Connemara, then Governor of Madras Presidency.

Past glory

The Madras Museum comprises numerous old buildings within its compound, and this library is one among them. The entire complex gains entry from Pantheon Road, which takes its name from the historic pantheon or public assembly rooms. References to the assembly room occur in 1789, a time when the city wanted a theatrical entertainment. Actively used in the latter part of 18th century, the government acquired the property in 1830 and established the Collector’s Cutcherry before the central museum in 1854.

Earlier, it had a single-floor high structure with two halls and a room for orchestra. The pantheon still exists. Two large wings with an upper floor are believed to be added when it was converted into a museum with further additions between 1886 and 1890. The space is said to have contained grooves in the roof over the stage to roll cannon balls to stimulate the sound of thunder. This structure is now a part of the two-floor old museum block, rear of the Connemara library.

Ageless charm

“What we see now is with later additions which are intricate and have a lot of details in terms of the stained glass or the teak finishes or the wooden brackets in the chambers. It has gone through four different purposes and the elements were added during consecutive additions. It’s an important part of Madras and a landmark that Chennai should be proud of,” said Thirupurasundari Sevvel, who conducted the trail as part of Nam Veedu Nam Oor Nam Kadhai. No two patterns in the stained glass windows are the same. It is said that the colours from the window reflect on marble floors at dusk.

The library benefitted from the Madras Literary Society on College Road — Fort St George campus — from where the Geology books were brought here. “We’ve displayed 300 books —  from paintings to literature. Last year the library witnessed 2,000 people during public access. This year it’s open for five days. The count has crossed 1,000 in just two days.

The awareness has increased,” said a library staff. Considering its national depository, the library is entitled to get a copy of any book published by any publication in the world. The library is accessible for people with special needs. A walk around the space will not only expose you to the grandeur of the interior decor but also its treasured collection. The older section of Connemara Public Library is open until today from 10 am to 5 pm.

source: http://www.newindianexpress.com / The New Indian Express / Home> Cities> Chennai / by Vaishali Vijayakumar / Express News Service / April 27th, 2019

S Muthiah and the writing of Madras Miscellany

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For the last two decades, in the 973 columns he wrote for Madras Miscellany, S Muthiah charted the course of people’s lives, the unexpected twists and turns, their triumphs and tribulations. A tribute to the man who loved to put the story back into history

Those of us who had the privilege of working closely with S Muthiah, the chronicler of Madras (he did not like the term historian), knew that Thursdays were sacred. He could not be disturbed that day as that was when he wrote his Madras Miscellany column to be published 12 days hence in the Monday edition of MetroPlus. The Chief, as I always referred to him, would make an elaborate production of it. He would first go to his library on the second floor and collect whatever reference material he wanted.

Having come down to the dining table, he would switch on the ultra-powerful table lamp and write whatever he wanted to in longhand. V Srinivasan and D Pushpa, his two faithful assistants, would then type this in, after which it underwent a few iterations. Towards the afternoon, G Shankar of Pace Systems (now Mot Juste Communications) would come in, collect the pictures to be scanned and go back to office to the needful. By evening everything would be in place, including the commentary on letters and additional points received from the vast and ever-growing readership; these falling under a section titled When The Postman Knocked. The correspondence was vast and varied. Branches of families reunited, people discovered ancestors. Several British families wrote in asking for help in tracing graves, houses and other markers.

Come Monday, when the column was published, the article would be carefully cut out, pasted on a sheet of paper, neatly dated and filed. Not for him the saving of soft copies. Yes, the Chief experienced great joy in putting Madras Miscellany together, as he did with all his work. By the time the column completed a decade in 2009, he noted with pride that 514 instalments had been published. He also added that the number would have been 520 but The Hindu did not bring out its paper on six Mondays owing to some holiday or the other. By the time he passed away, Madras Miscellany had appeared a record 973 times. It was his dearest wish that he touch 1,000 but fate willed otherwise.

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To have kept the column going without a break spoke volumes about Muthiah’s work ethic and discipline. When he travelled abroad, he calculated the number of Mondays he would be away and wrote all the instalments before he left. Not for him the present practice of researching on the Internet and sending articles on the fly. Even the death of his wife did not occasion a break. The column that appeared immediately after her passing had an opening sentence addressed to her, stating that she would have wanted him to continue. And that was the truth.

If there was someone even more passionate about Madras Miscellany than he was, it was Valliammal Muthiah. And he paid her a handsome tribute in an interview — ‘Fortunately, I have a young and energetic wife… who manages the home as well as the finances. She makes sure I don’t have to worry about anything other than my work.’ Sadly, she passed away in 2013 and life became tougher for him.

There was however no stopping Miscellany. Who would have thought that the column, first suggested by Nirmala Lakshman to Muthiah when MetroPlus was born in 1999, would grow to have a life and identity of its own? He had wanted it to be called Madrasiana but Nirmala convinced him that Madras Miscellanysounded better. It was a unique tribute to a great city. It will be missed.

source: http://www.thehindu.com / The Hindu / Home> News> Cities> Chennai / by Sriram V / April 22nd, 2019

Literary awards conferred on two writers

The Ma. Aranganathan Literary Awards for 2019 were presented to writers Veli Rangarajan and Yuma Vasuki in Chennai on Tuesday. The awards carry a citation and a cash prize of ₹1 lakh each from Munril Literary Society, run by Justice R. Mahadevan of Madras High Court.

He had instituted the awards last year in the name and memory of his father, a noted Tamil writer, who died on April 16, 2017 at the age of 83.

This was the second consecutive year that the awards were being conferred to honour and recognise the contributions made by authors, poets, playwrights and others to the growth of the Tamil language.

Presiding over the event, Sahitya Akademi general council member Tamilavan, recalling his association with Aranganathan, said, the latter had all through his life desired to institute an award for talented writers.

He pointed out that Aranganathan had migrated from Nagercoil to Chennai in 1952, served as a clerk at Chennai Corporation and ran a Tamil literary magazine titled Munril despite his meagre income. The office of Munril served as a joint for literary enthusiasts to sit together, discuss and analyse each other’s works.

source: http://www.thehindu.com / The Hindu / Home> News> Cities> Chennai / by Special Correspondent / Chennai – April 17th, 2019

Chennai Central station’s name change is now official

PM Modi had announced the renaming to Puratchi Thalaivar Dr MG Ramachandran Central Railway Station at a public meeting.

Chennai Central Railway station. (File Photo | Kajol Rustagi)
Chennai Central Railway station. (File Photo | Kajol Rustagi)

Chennai :

The State government has notified renaming of Chennai’s Central Railway station after late Chief Minister MG Ramachandran, giving effect to an announcement made by Prime Minister Narendra Modi at a public meeting on March 6. The station is now the Puratchi Thalaivar Dr MG Ramachandran Central Railway Station.

On March 9, the Union Home Ministry conveyed its ‘no objection’ to the proposal. Sources said the State then got permission from the Election Commission of India to notify the name change and issued an extraordinary notification in the government gazette on April 5.

Sources said the notification did not violate the model code of conduct as the announcement and ‘no objection’ were made ahead of notification of Lok Sabha polls. Senior advocate S Doraisamy filed a complaint with the Chief Electoral Officer against the notification, claiming it was issued in violation of the model code and should be withdrawn.

source: http://www.newindianexpress.com / The New Indian Express / Home> Cities> Chennai / by Express News Service / April 07th, 2019

Tamil scholar Silamboli Chellappan no more

The souvenirs for World Tamil Conferences at Chennai and Madurai and the souvenir for ‘World Semmozhi Conference’ at Coimbatore were prepared under his supervision.

Silamboli Su Chellappan
Silamboli Su Chellappan

Chennai :

Well known Tamil scholar and an orator Silamboli Su Chellappan (91) passed away on Saturday due to age-related ailments at his residence at Tiruvanmiyur here.   Leaders of political parties, including DMK president MK Stalin, MDMK general secretary Vaiko, TNCC president KS Alagiri and PMK founder S Ramadoss have condoled the death of the scholar.

Chellappan was born on September 24, 1928 at Siviyampalayam village near Namakkal and his discourses on Tamil epic Silappathikaram were well known and the late Tamil scholar RP Sethupillai hailed him as Silamboli Chellappan. Souvenirs for World Tamil Conferences at Chennai and Madurai and the souvenir for ‘World Semmozhi Conference’ at Coimbatore was prepared under his supervision.  He also served as Director of Tamil Nadu government’s Tamil development department and Director of publications, department of Tamil University in Thanjavur.

He had travelled widely across the globe to attend many international conferences on literary events. Sanga Ilakkiya than and Semmozhi Thamizh Agapporul Kalanjiam were among the books authored by Chellappan.

In his message, Stalin said,  “I convey my condolences on behalf of DMK over the demise of Silamboli Chellappan. His worked for Tamil and his deep relationship with the language would last eternally. ”Thol Thirumavalavan, VCK president said” He worked hard to spread Silapathikaram, an epic, among the masses. His death would be a big loss to Tamil and Tamil scholars”.MDMK’s Vaiko, Alagiri; S Ramadoss; and ER Eswaran, general secretary of Kongu Nadu Makkal Desiya Katchi, also condoled the death of the Tamil scholar.

source: http://www.newindianexpress.com / The New Indian Express / Home> States> Tamil Nadu / by Express News Service / April 07th, 2019

Noted director J. Mahendran passes away

Film director J. Mahendran. | Photo Credit: The Hindu Archives
Film director J. Mahendran. | Photo Credit: The Hindu Archives

Noted film director J. Mahendran, 79, passed away early on Tuesday morning, following a brief hospitalisation. His son John Mahendran confirmed his passing on social media.

He was admitted to Apollo Hospitals on March 27, after he became sick following a dialysis session. He was on a ventilator, according to hospital sources, but was discharged on Monday.

Mahendran has directed several memorable films including Mullum MalarumJohnny and Nenjathai Killadhey. He was recently seen in Vijay Sethupathi’s Seethakaathi, the Rajinikanth-starrer Petta and Boomerang, starring Atharvaa Murali that released earlier this month.

Renowned for his writing, he is also a part of the Blue Ocean FIlm and Television Academy(BOFTA) in Chennai where he heads the filmmaking and direction course.

Mahendran’s remains will be laid at his home from 10 a.m. where the public can pay their respects. The funeral is set to be held at 5 pm.

Dravida Munnetra Kazhagam president M.K. Stalin tweeted out his condolences. “Director Mahendran was a hero among the directors of the Tamil film world. He was multifaceted – a writer, he made realistic films and an actor as well and his passing away is a great loss,” he said.

Speaking to PTI, the filmmaker’s long time associate and producer G. Dhananjayan said Mahendran redefined the Tamil cinema at a time when it was dominated by the trend of delivering lengthy dialogues.

“He brought the touch of realism into Tamil cinema and it made people connect more to his movies. Mahendran is the forefather of realistic Tamil cinema,” Dhananjayan added.

Filmmaker A.R. Murugadoss took to Twitter to pay homage to the director.

“It is deeply saddening to hear the demise of one of the pioneer filmmaker #Mahendran sir. You and your films live forever in our hearts sir. Rest in peace,” he wrote.’

(With inputs from PTI)

source: http://www.thehindu.com / The Hindu / Home> Entertainment> Movies / The Hindu Net Desk / April 02nd, 2019